When I joined the Fine Arts Museums of San Francisco as an intern nearly a year ago, I was charged with the dream-of-a-lifetime task of adding works from the de Young’s collection to the Google Art Project, an online collections database.
January Artist-in-Residence John Zaklikowski has titled his residency Culture and Physics Collide, an apt description for his artwork which utilizes a wide variety of technological materials and meets at the intersection of art and science. His large-scale assemblages investigate notions of perception and optical illusion, illustrating the interplay of art, science, literature, and cultural studies.
Before I joined the Fine Arts Museums seven years ago as an editor, I did not know such a job existed in the museum world. It is not a role that merits much attention—in fact, the more invisible the editor’s hand, the better. But if you look around at the museums, you will understand how important an editor is. From humble signage directing your way to hefty exhibition catalogues, a huge range of text in a variety of forms is issued by the Museums, all reviewed by a team of three editors in the publications department.
This post was written by Erica Wong and Brinker Ferguson
Digital media interpretive fellow Brinker Ferguson and graphic designer Erica Wong recently worked together to create a 2D animation geared toward school-age children in association with The Salon Doré: Conservation of a Period Room. One of the first endeavors of its kind at the Fine Arts Museums of San Francisco, this animation was put together jointly by Brinker and Erica. This is their story.
November Artist-in-Residence Ana Teresa Fernandez enacts and participates in the intersection of politics and personal identity through painting, performance, and video. Her work illuminates the barriers, both psychological and physical, that confine and divide gender, race, and class in western society and the global south.
For the first time ever, three prized tapestries from the Fine Arts Museums of San Francisco’s permanent collection will be exhibited together in the Legion of Honor’s Gallery 1. The entire series, known as The Triumph of the Seven Virtues, consists of seven tapestries that depict allegorical representations of the theological virtues—Faith, Hope, and Charity—and the cardinal virtues—Temperance, Prudence, Justice, and Fortitude. While 10 museums in Europe, the United States, and Russia possess tapestries from this series, the Fine Arts Museums have The Triumph of Fortitude, The Triumph of Prudence, and the only extant example of The Triumph of Justice.
This post was submitted by Ashley Harris.
Inspiration abounded during the de Young’s 2013 Summer Art Camp as young artists created incredible works centered on the themes of animals in art and large-scale sculpture during the camp’s final weeks. Campers showed off their talents in drawing, painting, and collage as they studied animal forms within the de Young collections, crafting pieces that displayed their careful observations and panache for materials. SCULPTacular week proved to be the most exciting week yet as art campers studied and constructed three-dimensional pieces that investigated the ideas of space, movement, and scale.
3D scanning and printing have made their mark on popular culture in the past couple of years with eye-catching headlines like “Researchers Closing in on Printing 3D Hearts” and “Tools of Modern Gunmaking.” Many museums have also started using 3D printing to foster greater engagement and creativity between their visitors and collections. As a cultural institution, one of the main challenges when experimenting with new technologies is to understand and evaluate how it can be used to benefit or bolster our collection and mission, and try to get beyond the initial “whoa—that’s cool!” factor.
SAN FRANCISCO (August 7, 2013) —The Fine Arts Museums of San Francisco are saddened by the loss of Ruth Aiko Asawa, who died on August 6, 2013, at the age of 87. Asawa was a groundbreaking modernist sculptor with whom the Museums enjoyed a long-standing relationship. An internationally exhibited artist, teacher, arts advocate, and Museum trustee, she leaves a remarkable legacy.