Step into Gallery 14 at the de Young and you will immediately encounter the riot of geometric color that is Frank Stella’s impressive 12-foot-square painting, Lettre sur les aveugles II (1974). This vibrant new acquisition represents the first of Stella’s paintings to enter the permanent collection of the Fine Arts Museums of San Francisco.
In this installment of our continuing blog series examining key elements of the Aesthetic Movement through the lens of John Stanhope’s masterwork Love and the Maiden (typically on view in gallery 18 at the Legion of Honor and currently on view in The Cult of Beauty: The Victorian Avant-Garde, 1860–1900), curatorial assistant of European art Melissa Buron takes a closer look at color.
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