Major gifts of support have a significant impact on the Museum’s ability to present new exhibitions, offer the highest-quality of educational programming, and engage audiences in interactive experiences with art. They enable the conservation of FAMSF’s collections, and inspire capital projects which support asset-building needs. Major gifts come in many forms and can be made through cash contributions, gifts of appreciated securities, bequests and planned gifts, or in-kind gifts such as contributions of valuable art.
The Fine Arts Museums of San Francisco rely on our vital partnerships with corporations, foundations, and governmental institutions for support of our exhibitions and programs. Whether start-ups, large international corporations, or family or community foundations, organizations have a range of options to support the Museums, inspire creativity among their workforces and museum visitors, and build community through art.
With their numerous exhibitions and community programs, both the de Young and the Legion of Honor rely greatly on the Fine Arts Museums' Volunteer Council, a vital, 300-member organization that provides visitor services and staff support six days a week.
Legion of Honor app
App uses Interactive 3D Mapping & Indoor Positioning Technology
SAN FRANCISCO (January 21, 2016) – The Fine Arts Museums of San Francisco are pleased to unveil the official app for the Legion of Honor. Taking advantage of Apple’s latest developments in indoor positioning, the app serves as a personal tour guide for museum-goers, allowing visitors to wander the galleries as if on a private curatorial tour. This is the first app for the Legion of Honor.
de Young, San Francisco | March 12 – May 30, 2016
SAN FRANCISCO – The Fine Arts Museums of San Francisco are pleased to present the world premiere retrospective of Oscar de la Renta’s work – the first major survey celebrating the life and career of one of fashion’s most influential designers. The exhibition is organized in close collaboration with the House of Oscar de la Renta and the designer’s family, and is curated by André Leon Talley, former American editor-at-large for Vogue and a lifelong friend of de la Renta.
It was not until the emergence of the artist book in the 20th century that book bindings—a book’s front and back covers and spine—came to be appreciated as more than merely protective or decorative. In the early 1900s, any deluxe artist book—with original print illustrations by a well-known artist, printed on fine papers, and issued unbound in limited quantity—fairly cried out for a creative binding.
Paul Bonet, binding design for the book Nuits de Paris, by Francis Carco (Paris: Au Sans Pareil, 1927), 1927. Onlays of leather with gold tooling. FAMSF, gift of Earl M. Collier Jr. in honor of Ann and Bill Anderson
Since the dawn of time, human beings have been fascinated with the animal world. Depictions of animals are some of the earliest known artistic efforts, dating back to the Paleolithic Era. And this interest has never abated. From sustenance to companionship, animals play a variety of roles in our lives and inspire a range of emotions—fear, love, awe—as well as a host of symbolic associations.
Anonymous Indian artist. Composite Camel, 19th century. Miniature. Achenbach Foundation for Graphic Arts. 1963.24.694
The Fine Arts Museums of San Francisco present an unparalleled collection of decorative arts from the Musée du Louvre, Paris, including some of the most exquisite treasures of the French monarchy from the time of Louis XIV until the Revolution of 1789.
Exhibition organized by the Fine Arts Museums of San Francisco with the exceptional collaboration of the Musée du Louvre.
Cynthia Fry Gunn and John A. Gunn
San Francisco Auxiliary of the Fine Arts Museums
Mr. and Mrs. Adolphus Andrews, Jr.
Richard B. Gump Trust
Mr. and Mrs. William Hamilton
Mr. and Mrs. Kevin C. Lynch
The catalogue is published with the assistance of the Andrew W. Mellon Foundation Endowment for Publications.
L: Portrait of Louis XIV, 17th century. Goldsmith-jeweler: Laurent Tessier Montarsy (?–1684). Miniature painting, silver, and diamond. Inv.: OA12280. Photo: Jean-Gilles Berizzi. C: Agate ewer. Paris, c. 1650. Enamelled gold mount. Entered the collection of Louis XIV before 1673. Inv.: MR231. Photo: Jean-Gilles Berizzi. R: Bust of Marie-Antoinette. Commissioned by Prince Alexandre Kourakine. 1782. Hard-paste porcelain. Inv.: OA10898. Photo: Peter Harholdt.