“The museum is a perfect environment within which to study art, there is none better,” says Dr. Maria Cheremeteff, professor of art history at City College of San Francisco.
January Artist-in-Residence John Zaklikowski has titled his residency Culture and Physics Collide, an apt description for his artwork which utilizes a wide variety of technological materials and meets at the intersection of art and science. His large-scale assemblages investigate notions of perception and optical illusion, illustrating the interplay of art, science, literature, and cultural studies.
August Artist-in-Residence Peggy Gyulai explores the connections between music and the expressive possibilities of paint on canvas in her work. She listens to and looks at music as a subject, object, inspiration, and—like Richard Diebenkorn—invokes the dynamic tension between the poles of abstraction and representation, creating substance from ephemeral phenomena.
This blog post was submitted by Ashley Harris.
It’s summertime at the de Young, which means that the museum’s Summer Art Camp is in full swing and the Hamon Education Tower has been filled with talented young artists and creative energy. During week one, campers explored the theme of “Mixed Media Madness,” creating pieces that incorporated a range of materials and techniques including oil pastel and watercolor resist, splatter painting, masking, and plein air ink wash paintings. The incredible art making continued into week two as campers studied works in the de Young’s permanent collection and crafted their own pieces centered around the idea of “Stories in Art.”
This post was written in collaboration wtih Jasmin Bode.
In plain sight or behind closed doors, in basements, or beneath manhole covers, lurk the myriad systems that support city life—drains, running water, sewage treatment, and fire-suppression, to name just a few. The Urbanauts, current de Young Artist Fellows Sean Orlando and Rebar, have tasked themselves with the exploration of this infrastructure and its relationship to the everyday experience of the contemporary city. Their investigations began last October and now—during the second phase of their fellowship—they present Systemic, an installation on view in the de Young’s Kimball Education Gallery that will evolve throughout the month of June. We recently spoke with the Urbanauts about their project.
It’s hard to believe that almost 20 years have passed since the de Young hosted the first student showcase. This week’s Friday Nights at the de Young features the 17th annual New Generations Student Showcase! This year’s theme, Everyday Worlds: Exteriors and Interiors, is inspired by the special exhibitions currently on view at the de Young, including Girl with a Pearl Earring: Dutch Paintings from the Mauritshuis, Eye Level in Iraq: Photographs by Kael Alford and Thorne Anderson, and Objects of belief from the Vatican: Art of Africa, Oceania, and the Americas.
De Young Artist Fellows Andy Diaz Hope and Laurel Roth are preparing for the final installation of their monumental triptych The Conflicts. Get a sneak peek at the culminating exhibition of their fellowship in the group show Punch Card, opening at Catharine Clark Gallery this Saturday, January 19, 2013. Hope and Roth will present the completed tapestries at the de Young in the Artist Studio throughout the month of March. In this blog post, Hope and Roth examine the role technology has played in the process of creating this work.
Tonight, Friday Nights at the de Young features work in progress by Artist Fellow Monique Jenkinson (aka Fauxnique). As part of the creation of her original work, Instrument, Jenkinson is working with three different choreographers in an experimental process designed to enact, expose, and undermine the roles of the dancer as workhorse and the choreographer as auteur. The presentation tonight will be a rare opportunity to witness the development of Instrument, inspired in part by Rudolf Nureyev: A Life in Dance (on display at the de Young through February 17, 2013). The first in a series of three, today’s post focuses on the collaboration between Jenkinson and choreographer Miguel Gutierrez.
For the past year, Artist Fellow Sarah Wilson and her artistic partner Catch Me Bird have been creating Off the Walls, a multimedia performance based on the de Young Museum’s iconic painting Aspiration (1936) by Aaron Douglas. On September 20, the world premiere of Off the Walls will take flight in the Koret Auditorium at the de Young. Today we highlight Z Space, one of the project’s collaborating partners, whose technical residencies offer artists and performers the time and resources to experiment with various staging elements and production designs integral to the creative process.