Blog Posts: January 2012

Art for Art's Sake at Design San Francisco

On February 18, The Cult of Beauty: The Victorian Avant-Garde, 1860–1900 opens at the Legion of Honor. This Wednesday, February 1 at 2:30 p.m., the San Francisco Design Center presents The Aesthetic Movement and Interior Design, a panel exploring the movement’s enduring influence on interiors. The discussion will feature exhibition curator Dr. Lynn Federle Orr, design writer and editor Zahid Sardar, interior designer Geoffrey De Sousa and 3D Magazine editor-in-chief, Alisa Carroll.

In advance of this event, Ms. Carroll is today’s guest blogger.

Sideboard, 1865–75

Edward William Godwin, Sideboard, 1865–75, ebonized mahogany with silver plated handles © V&A Images

Museum Without Walls: A Studio Visit with Todd T. Brown

In continuation of our series Museum Without Walls, we visited Todd T. Brown’s studio as he prepares for his final exhibition as an Artist Fellow at the de Young. Inheritance and Dreams will be on display in the Kimball Education Gallery February 1–12.

FRAME|WORK: Eléphantaisie by Pierre Dubreuil

FRAME|WORK is a weekly blog series that highlights an artwork in the Museums' permanent collections. This week we feature a classic photograph by Pierre Dubreuil. If you missed Eléphantaisie when it was on view in Impressionist Paris: City of Light, you will no doubt enjoy this virtual viewing.

Eléphantaisie

Pierre Dubreuil (French, 1872–1944). Eléphantaisie, 1908. Gelatin silver print. Museum purchase, Prints and Drawings Art Trust Fund. 2009.29

What's the Matter: Conserving the Sculpture of Stephen De Staebler

Matter + Spirit: The Sculpture of Stephen De Staebler presents the work of an artist who used a variety of materials ranging from metal to clay to create lasting works of art. Working with stoneware and sometimes porcelain, De Staebler built monumental sculptures that pushed the limits of the media and extended the boundaries of how these materials had been used in the past.

Standing Woman and Standing Man, 1975

Stephen De Staebler, Standing Woman and Standing Man, 1975. Pigmented stoneware and porcelain with surface oxides. Courtesy of Paul Thiebaud Gallery, San Francisco. Artwork © Estate of Stephen De Staebler.

Bird Bath: The Conservation of a William Morris Textile

The British Aesthetic Movement, which is the subject of the upcoming exhibition The Cult of Beauty: The Victorian Avant-Garde 1860–1900 opening at the Legion of Honor on February 18, promoted the integration of beauty and art into every aspect of life. William Morris (1834–1896) was a chief proponent of the Aesthetic Movement and contributed luxe designs for wallpaper, carpets, tiles, and furniture. His career as a textiles designer, however, quickly surpassed his involvement with all other areas of artistic production.

Bird wall hanging, 1878

William Morris (English, 1834–1896). Bird wall hanging, 1878 (detail). Wool jacquard woven doublecloth. Museum purchase, Art Trust Fund. 1996.47

January Artist in Residence Dana Zed

This month in the Artist Studio, glass artist Dana Zed is drawing museum goers into her world of mirrors and reflection. Including the public in the process of art making is integral to the mission of the Artist in Residence program, but working within the Kimball Education Gallery and with the public often results in surprising collaborations, as Zed has discovered.

Posted by guest blogger Dana Zed.

FRAME|WORK: A Statue of Asklepios from Hellenistic Greece

The subject of quality health care has dominated political rhetoric for decades, but the issue has been of interest for centuries. This week’s FRAME | WORK examines one of the earliest manifestations of the power of medicine in the form of the Statue of Asklepios currently on view in the Hall of Antiquities at the Legion of Honor.

Museum Without Walls: Sarah Wilson

This month, the de Young begins its second installment of the Artist Fellows program, which brings working artists from a variety of disciplines into the museum for a year. During this year, Artist Fellows will break open their art process by exhibiting works-in-progress and investigating new avenues of creativity through collaboration with the museum, partner institutions and other artists.

Each artist is associated with a collaborating institutional partner, an aspect of the program specifically designed to encourage museum engagement with local, community based arts organizations. Working both within and without the walls, the Artist Fellows will inhabit a new kind of museum, one without walls. In celebration of this next phase of the Artist Fellows program, we will focus on these extra-museum collaborations in a blog series called Museum Without Walls.

Sarah Wilson

Sarah Wilson. Photo © Lenny Gonzalez 2010

Accessing Matter and Spirit: The Public Art of Stephen De Staebler

On Saturday, Matter + Spirit: The Sculpture of Stephen De Staebler opens at the de Young. Matter + Spirit represents the first major museum exhibition of the artist’s work since his death last year.

Stephen De Staebler

FRAME|WORK: The Empire of Flora by Giovanni Battista Tiepolo

FRAME|WORK is a weekly blog series that highlights an artwork in the Museums' permanent collections. This week we present a dynamic work by one of Italy’s most important painters. Giovanni Battista Tiepolo’s The Empire of Flora is currently on loan to the Allentown Art Museum where it is featured in the special exhibition Shared Treasure: The Legacy of Samuel H. Kress.

Giovanni Battista Tiepolo (Italian, 1696–1770). The Empire of Flora, ca. 1743. Oil on canvas. Gift of the Samuel H. Kress Foundation. 61.44.19

The Metamorphosis of Medusa

The Legion of Honor is currently host to a terrifyingly beautiful bust of The Medusa, on view through February 19. Created by master Baroque sculptor Gian Lorenzo Bernini (1598–1680), this nightmare in marble arrives at the museum via the Dream of Rome, a project initiated by the mayor of Rome to exhibit timeless masterpieces in the United States. The Medusa is the inaugural loan in the prestigious partnership between the Fine Arts Museums and Rome’s Capitoline Museum.

Medusa projected onto the facade of the Legion of Honor

FRAME|WORK: Sedna with Mask by Susie Silook

The New Year presents a much-needed opportunity for reflection and renewal. Looking towards the future, New Year’s resolutions often promise some variation of transformation as we aim to improve ourselves and our lives. Transformation is also the focus of this week’s FRAME|WORK, which features Susie Silook’s Sedna with Mask. This artwork is currently on display in the Art of the Americas gallery at the de Young.

Susie Silook (American, Siberian Yupik and Inupiaq, b. 1960). Sedna with Mask, 1999. Walrus tusk, sea mammal whiskers, baleen, whale bone, metal, pigment. Bequest of Thomas G. Fowler. 2007.21.389