When installing a painting or sculpture for exhibition, determining the correct orientation of the work is (perhaps obviously) paramount. When discussing modern art, a seemingly simple question like “Which side is up?” can become much more complicated; and occasionally when dealing with abstract art, this determination can be downright perplexing. Two paintings recently reinstalled in Gallery 50 at the de Young have raised this question for years. Since they first arrived at the Museums, Georgia O’Keeffe’s Petunias and Arthur Dove’s Sea Gull Motive have puzzled viewers and art historians alike.Georgia O'Keeffe (American, 1887–1986). Petunias, 1925. Oil on hardboard panel. Museum purchase, gift of the M. H. de Young Family. 1990.55. © Georgia O'Keeffe Museum
Posted by Sarah Bailey Hogarty on July 29, 2011
If you visit the de Young and Legion of Honor this summer, you may be surprised see troupes of young children following teenagers around the galleries. Don’t be alarmed by these lively tours– they are being led by the extremely capable Museum Ambassadors!
Posted by Sarah Bailey Hogarty on July 28, 2011
"Will Work for Art" takes you behind the scenes to meet the people who make the Fine Arts Museums work. This week we take you into the whimsical world of the Flower Committee, where we meet artist Ann Hedges. Originally from New York City, Ann has been volunteering with the Museums for fifteen years.
Posted by Sarah Bailey Hogarty on July 27, 2011
FRAME|WORK is a weekly blog series that highlights an artwork in the Museums' permanent collections. This week, we feature an extraordinary piece of American decorative art, the Mantelpiece for Thurlow Lodge, currently installed in Gallery 23 at the de Young.
Posted by Sarah Bailey Hogarty on July 26, 2011
For the past six weeks, we have followed the progress of Balcomb Greene's Six-Sided Planes through the museum on its way to exhibition. We began tracking the painting's journey when it first entered the Fine Arts Museums via the registration department. It then went on to paintings conservation for a makeover before heading on to the Board of Trustees for final approval. Next it re-entered the registration department for final acquisition, after which it was photographed for record-keeping purposes. And last week, we learned about the work's art historical context and significance from the American art department's curatorial perspective. Now, after all the research, preparation, and planning, Six-Sided Planes is finally on display in Wilsey Court!Art technician Paul Tavian wheels the painting through Wilsey Court.
Posted by Andrew Fox on July 23, 2011
“I think of art and painting as a journey, not simply a destination.”—Ken CampbellArtist adventures! There are so many places to explore in the museum, and so many materials to experiment with in the studio!