You may have heard the term alabaster used to describe the pristine skin of a beautiful woman or the smooth surface of statue, as in the case of The Mourners: Tomb Sculptures from the Court of Burgundy, on view at the Legion of Honor through December 31.
Throughout art history, scholars have devised a special vocabulary to talk about art. These terms are very useful, but they are not always self-explanatory. So we thought we'd take you into the art historical word gallery to provide some definitions commonly used to describe artistic styles, techniques, or movements in art.
FRAME|WORK is a weekly blog series that highlights an artwork in the Museums' permanent collections. Today, in honor of Jacob Lawrence's birthday, we feature his compelling masterwork Migration, currently on display at the de Young.
"Will Work for Art" takes you behind the scenes to meet the people who make the Fine Arts Museums work. This week we meet Chris Huson, the Museums' courier, whose tireless trips between the two museums keep the staff in communication with each other and the outside world. Originally from Chicago, Chris has been with the Museums for thirty-two years!
The academic tradition of learning to draw by imitating the works of established masters has been alive for centuries. Professor Rick Rodrigues has been bringing this rich tradition the Fine Arts Museums of San Francisco since 1995, when he initiated a partnership between the City College of San Francisco and the Museums. Professor Rodrigues's drawing classes cover a variety of skills and techniques, ranging from basic life-drawing using models and tone-drawing to more obscure old-master techniques, such as silverpoint drawing or staining with tea or coffee. His much-beloved classes are a deeply fulfilling experience, giving young artists the opportunity to learn from art history's old masters directly in the museum setting.
Visitors are always welcome to sketch in the Museums' permanent collection galleries. Sketching in special exhibition galleries is by permission only and subject to lender and gallery restrictions. Please see our museum policies for more information.
Education intern Megan Friel recently sat down with Professor Rodrigues, who is still passionately committed to the academic tradition of museum drawing after 16 years of teaching, to discuss his experiences directing the program.