November Artist-in-Residence Ana Teresa Fernandez enacts and participates in the intersection of politics and personal identity through painting, performance, and video. Her work illuminates the barriers, both psychological and physical, that confine and divide gender, race, and class in western society and the global south.Borrando Frontera by Ana Teresa Fernandez
De Young Artist Fellow Lenora Lee’s talents are unquestionable, but perhaps the key to her success is the incredible community that she’s built around herself. Her upcoming performance includes a long list of artistic collaborators: musicians, dancers, martial artists, a multimedia designer, a poet, filmmakers, and a lighting designer. Lee’s diverse collaborations create a variety of access points for audiences, and for Lee, those points of connection are of the most important part of each performance. Together Lee and her collaborators have created two new performances, The Escape and Rescued Memories: New York Stories, which will be performed at the de Young this November.
For the first time ever, three prized tapestries from the Fine Arts Museums of San Francisco’s permanent collection will be exhibited together in the Legion of Honor’s Gallery 1. The entire series, known as The Triumph of the Seven Virtues, consists of seven tapestries that depict allegorical representations of the theological virtues—Faith, Hope, and Charity—and the cardinal virtues—Temperance, Prudence, Justice, and Fortitude. While 10 museums in Europe, the United States, and Russia possess tapestries from this series, the Fine Arts Museums have The Triumph of Fortitude, The Triumph of Prudence, and the only extant example of The Triumph of Justice.
Triumph of Justice from The Triumph of the Seven Virtues Series, ca. 1535. Belgium, Brussels, Flemish. Wool, silk; tapestry weave. Gift of The William Randolph Hearst Foundation. 1957.125
This post was submitted by Ashley Harris.
Inspiration abounded during the de Young’s 2013 Summer Art Camp as young artists created incredible works centered on the themes of animals in art and large-scale sculpture during the camp’s final weeks. Campers showed off their talents in drawing, painting, and collage as they studied animal forms within the de Young collections, crafting pieces that displayed their careful observations and panache for materials. SCULPTacular week proved to be the most exciting week yet as art campers studied and constructed three-dimensional pieces that investigated the ideas of space, movement, and scale.
3D scanning and printing have made their mark on popular culture in the past couple of years with eye-catching headlines like “Researchers Closing in on Printing 3D Hearts” and “Tools of Modern Gunmaking.” Many museums have also started using 3D printing to foster greater engagement and creativity between their visitors and collections. As a cultural institution, one of the main challenges when experimenting with new technologies is to understand and evaluate how it can be used to benefit or bolster our collection and mission, and try to get beyond the initial “whoa—that’s cool!” factor.
August Artist-in-Residence Peggy Gyulai explores the connections between music and the expressive possibilities of paint on canvas in her work. She listens to and looks at music as a subject, object, inspiration, and—like Richard Diebenkorn—invokes the dynamic tension between the poles of abstraction and representation, creating substance from ephemeral phenomena.