FRAME|WORK is a weekly blog series that highlights an artwork in the Museums' permanent collections. This week, we feature a spectacular obsidian ceremonial knife from Mesoamerica on display at the de Young.
Last week Balcomb Greene’s Six-Sided Planes made its first entry into the Museums and the acquisitions process via the registration department. This week, the painting heads upstairs to the paintings conservation lab for a little makeover.
My name is Elise Effmann and I’m an associate paintings conservator at the Fine Arts Museums. Conservators are entrusted with the care, treatment and technical study of artworks in the collection. When a painting comes to the Museums as a proposed acquisition, our department must examine it to provide the curators with information about how it was made, and to determine if there are any potential problems with the acquisition due to its condition.
Picasso was perhaps the greatest innovator of twentieth-century art. The power of Picasso’s invention, however, was deeply influenced by sources from across the art historical spectrum. Chief among these was African art. Drawing upon myriad stylistic resources, Picasso created new modes of expression. The development of this multifaceted artistry is illustrated in several works featured in Picasso: Masterpieces from the Musée National Picasso, Paris at the de Young through October 9.
Last week, the Legion of Honor received a special visit from Berkeley High School’s Latin class. This group of thirty-seven seniors took time out of the final, hectic days of high school to see Marvelous Menagerie: A Roman Mosaic from Lod, Israel, which has served as their muse for the past several weeks.
For the last several months, Textile Conservation volunteers Kathy Murphy, Jean Scardina, intern Erica Storm and Objects Conservation volunteer Tegan Broderick have all been hard at work making covers for the furniture stored at the Legion of Honor. While most of the chairs were already stored beneath loose-fitting pieces of cloth, custom covers provide the objects with better protection from light and dust. Clearly labeled covers also facilitate quick identification of the objects underneath and prevent unnecessary handling.
FRAME|WORK is a weekly blog series that highlights an artwork in the Museums' permanent collections. This week, we feature a powerful lithograph created by the formidable Frida Kahlo. This work is currently not on view, so we have provided this exclusive virtual viewing!