Blog Category: Collections

Another Wave

The Wave, 2005, by Kay Sekimachi

In 2005, Bay Area artist Kay Sekimachi gifted the museum a seminal work, a miniature book—The Wave. The Wave comes from her series of accordion books that were inspired by the Japanese artist Hokusai prints from his own series Hundred Views of Mt. Fuji. Woven in natural linen, Sekimachi used a painted-warp technique to imprint the repetitive pattern of the wave on the book’s covers and pages and a double-weave technique to create the accordion folds. The meditative quality of Sekimachi’s work belies the complexity of her techniques. Her work reflects a combination of influences— from the Japanese aesthetic comes her purity of form and reverence of nature and from her early Bauhaus training the control of geometry and symmetry, as well as, the exploration of the double-weave technique. 

Jill D'Alessandro, Curator, Textile Arts

Read more »

New Acquisition on View: The Absinthe Drinkers by Jean-François Raffaëlli

The Absinthe Drinkers, 1881Visitors to the exhibition Birth of Impressionism: Masterpieces from the Musée d'Orsay can get a look at one of the Fine Arts Museum's newest acquisitions, The Absinthe Drinkers (Les buveurs d'absinthe), 1881, by Jean-François Raffaëlli (French, 1850–1924). The Absinthe Drinkers is widely regarded as among Raffaëlli's most important and accomplished paintings. It can be viewed at the entrance to Birth of Impressionism this summer, but will eventually take up permanent residence in the Legion of Honor's gallery 19.

Although not counted among the Impressionists, the Realist Raffaëlli nonetheless exhibited The Absinthe Drinkers (at the invitation of Degas, who sought to increase the number of figural painters involved) at the sixth Impressionist group show in 1881.There it caused a sensation due to its gritty imagery and portrayal of the devastating effects of addiction to the potent drink absinthe.

Read more »

Poems by Kim Shuck, June 2010 Artist-in-Residence

Over and
Out past the lines

Poems from the residency

Kim Shuck
June 2010

Morning Prayer 2010
Sing me a song of beans and crows at breakfast this
Morning's riot of Queen Anne's Lace at the foot of
Stairs which, let's face it, wouldn't even make good firewood the
Plums in their own ceremony of fixing sugars
Sing me a song of silliness and horses of
Feeling your way around a curve of an image that will
Tear you up, you can't forget to cry that
Dust that water off of the cypress bough

Sing me a song of yellow horses of
Horses bright as backyard plums of that
Redtail, he's wondering if my beads are
Food and if he can get through the glass and have them

Sing of being weary, of being good to each other please
Sing something sort of quiet something that won't

Read more »

Introduction of Jeanine Briggs' "Transfigurations", July 2010 Artist-in-Residence by Gregory Stock, Education Intern

Walking into the Kimball Education gallery this month, a visitor might experience a childhood flashback of placing collector cards in the wheel spokes of your first bike, or scenes from Pixar’s recent film, WALL-E. In Jeanine Briggs' Transfigurations, the artist-in-residence incorporates trash and found materials in a variety of forms including small characters, masks, and full body representations.

Read more »

"Am I really going to talk about the purpose(s) of art?" by Kim Shuck, June 2010 Artist-in-Residence

One guest during my residency mentioned that he liked the larger canvas of a vest better than, say, a small pouch. I think I smiled and nodded at the time. It was towards the end and my desire to take up each and every teachable moment had waned somewhat. I've slept some now so: I don't make my work for entirely decorative reasons.

Read more »