Blog Category: Community

Introduction of Jeanine Briggs' "Transfigurations", July 2010 Artist-in-Residence by Gregory Stock, Education Intern

Walking into the Kimball Education gallery this month, a visitor might experience a childhood flashback of placing collector cards in the wheel spokes of your first bike, or scenes from Pixar’s recent film, WALL-E. In Jeanine Briggs' Transfigurations, the artist-in-residence incorporates trash and found materials in a variety of forms including small characters, masks, and full body representations.

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"Am I really going to talk about the purpose(s) of art?" by Kim Shuck, June 2010 Artist-in-Residence

One guest during my residency mentioned that he liked the larger canvas of a vest better than, say, a small pouch. I think I smiled and nodded at the time. It was towards the end and my desire to take up each and every teachable moment had waned somewhat. I've slept some now so: I don't make my work for entirely decorative reasons.

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"It's a wrap" by Kim Shuck, June 2010 Artist-in-Residence

On the way past the bandshell I noticed that the puddle the squirrels were drinking out of yesterday had dried up. Fog all gone... It's quite hot actually.

 

 

More feathers.

 

 

The various animals didn't come around today. There were human visitors of varying sorts. I'm embarrassed to admit the major focus of the day. It wasn't profound. Mostly just feathers.

 

 

I left the lights down when I came in, opened the blinds for light and started in on the beading: feathers and feathers.

 

 

The group project proceeds. I'm beading feathers.

 

 

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"Whoop de do" by Kim Shuck, June 2010 Artist-in-Residence

It's been a long month and my brain is getting sluggish. Fortunately there were many people I liked around today.

I gave an interview and found out how tired I am then headed in to work. Gallery time was relatively uneventful. One lovely man from London came in to chat, as did natoyiininastumiik. The latter was wearing some of my beading, always interesting to see things after I've sent them to their lives. Good conversations were had. The man from London was very well informed, both about art and some obscure Native/Irish history that is generally... well... not known. He also did a thing which reminded me of why this residency has been a bit challenging for me personally. It's something that I forget. I understand why it happens. It does cause some friction sometimes.

 

 

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"I knew I'd miss Michael..." by Kim Shuck, June 2010 Artist-in-Residence

Another magical foggy day. This time with tomatoes and raspberries. Well, that and my first official day without Mr. Horse. I knew it was going to be difficult so I brought fruit. Fruit and Knopfler and Clapton... I also had Intern Extrordinaire Mlle. Megan. Bob the sitting ball was there too. Life could have been harder. Still... even with all of that and the buffalo hunt on the wall... it was slightly difficult. I'm a creature of habit.

 

 

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"Inside the World of Michael Horse, June Artist-in-Residence" by Naomi Huth, Education Intern

On June 18th, during the Cultural Encounters evening event, I sat down with current artist-in-residence, Michael Horse, to find out more about his background and artistic influences. Born near Tucson, Horse is of Yaqui, Mescalero Apache, Zuni, European, and Hispanic descent and comes from an artistically talented family of jewelers, potters, and painters. Not only is he a talented jeweler and painter, but he is also an actor and stuntman who has appeared in many movies including Twin Peaks, Passenger 57, Lakota Woman, and Smoke Signals. His art has been shown internationally as is currently available at the Southwest Museum in Los Angeles, the Autry Museum of Western Heritage in Los Angeles, the Eiteljorg Museum in Indiana, Kiva Fine Art Gallery in Santa Fe, and Gathering Tribes Gallery in Albany, California.

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