Artist blog

Carmen Lomas Garza in the Artist Studio, April 2011

Our April 2011 artist-in-residence is Carmen Lomas Garza, a local artist renowned for evocative depictions of her childhood in a South Texas Mexican-American community. Her pieces, filled with traditions, memories and anecdotes and reflective of daily life and a sense of communal identity and shared pride, are filled with a cultural joy and incredibly personal in their perspective. Viewers are able to engage with her art no matter his or her background and, as you become captivated by their warmth, the layered narratives, and the rich use of color, you will find yourself suddenly privy to a world of details that serve to educate and inform about the Mexican-American experience.  Her works are filled with traditions, memories, and anecdotes. 

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Second Week at the de Young by Jennifer Ewing, January Artist-in-Residence

The second week at the Kimball was a blast with Friday night being the highlight.
For the museum, it was the perfect storm of events combining with the Orsay exhibition still going strong, permanent galleries free, and the start of the 6th year of Friday Night Fun.  We had a lot of visitors so more people got to make their own totem boats and got to know about Spirit Boats.

It is great to be a part of it all. The people have been the best part. Staff I have known or encountered at work, long term friends who knew my previous work, newer friends who know how I have road tested the Spirit Boats over the last few years and brand new friends and people are affected by the work. I am so thankful.

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My First Week at the de Young by Jennifer Ewing, January Artist-in-Residence

An important part of this Kimball residency is to hold a space that invites people to travel within a safe and welcoming place. Leo designed lettering and painted the walls with directions and associated elements as per the Toltec tradition. This helps set the stage and gives people a familiar and useful reference.

Some people have asked about this and know of other designations. I used what I learned from my Curandera teacher, Tereza Iñiguez-Flores in her healing circles that I attend on a regular basis. We have collaborated together and her teachings helped me find an appropriate intention as I began to conceptualize this show. For more info see her web site http://tierramorena.net/index.html.

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Getting Distracted with an Ark in Mind by Jennifer Ewing, January Artist-in-Residence

I was asked a few weeks ago if I needed pedestals for my Kimball Gallery residency.

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An update from June Artists-in-Residence, Michael Horse and Kim Shuck

By Kim Shuck:

In June 2010 Michael Horse, painter, actor, musician etc, was my partner in a residency at the de Young museum in San Francisco. He wanted this. He gave me a drawing... told me where the horses were to go and what colors... In most ways this is his work... aside from the hours of actually making the piece, that is. Looks pretty good I think. Not sure I would work with anyone else this way but... he's one of a kind.

For more information about Michael's work plug his name into youtube.com and hear him talk about it himself.

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Totem Boats for Personal Journeys by Jennifer Ewing, January Artist-in-Residence

It began 6 years ago as a vehicle to transcend sadness on the loss of my father, Paul Ewing, when I found myself painting and doing collages I called “Spirit Boats” as a tribute to his memory. Like a stone thrown into a pond, the ripples moved outward as my work grew with personal references.

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Poems by Kim Shuck, June 2010 Artist-in-Residence

Over and
Out past the lines

Poems from the residency

Kim Shuck
June 2010

Morning Prayer 2010
Sing me a song of beans and crows at breakfast this
Morning's riot of Queen Anne's Lace at the foot of
Stairs which, let's face it, wouldn't even make good firewood the
Plums in their own ceremony of fixing sugars
Sing me a song of silliness and horses of
Feeling your way around a curve of an image that will
Tear you up, you can't forget to cry that
Dust that water off of the cypress bough

Sing me a song of yellow horses of
Horses bright as backyard plums of that
Redtail, he's wondering if my beads are
Food and if he can get through the glass and have them

Sing of being weary, of being good to each other please
Sing something sort of quiet something that won't

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"Am I really going to talk about the purpose(s) of art?" by Kim Shuck, June 2010 Artist-in-Residence

One guest during my residency mentioned that he liked the larger canvas of a vest better than, say, a small pouch. I think I smiled and nodded at the time. It was towards the end and my desire to take up each and every teachable moment had waned somewhat. I've slept some now so: I don't make my work for entirely decorative reasons.

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"It's a wrap" by Kim Shuck, June 2010 Artist-in-Residence

On the way past the bandshell I noticed that the puddle the squirrels were drinking out of yesterday had dried up. Fog all gone... It's quite hot actually.

 

 

More feathers.

 

 

The various animals didn't come around today. There were human visitors of varying sorts. I'm embarrassed to admit the major focus of the day. It wasn't profound. Mostly just feathers.

 

 

I left the lights down when I came in, opened the blinds for light and started in on the beading: feathers and feathers.

 

 

The group project proceeds. I'm beading feathers.

 

 

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"Whoop de do" by Kim Shuck, June 2010 Artist-in-Residence

It's been a long month and my brain is getting sluggish. Fortunately there were many people I liked around today.

I gave an interview and found out how tired I am then headed in to work. Gallery time was relatively uneventful. One lovely man from London came in to chat, as did natoyiininastumiik. The latter was wearing some of my beading, always interesting to see things after I've sent them to their lives. Good conversations were had. The man from London was very well informed, both about art and some obscure Native/Irish history that is generally... well... not known. He also did a thing which reminded me of why this residency has been a bit challenging for me personally. It's something that I forget. I understand why it happens. It does cause some friction sometimes.

 

 

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