In 2004 artist Matthew Picton laid a sheet of plastic over the cracks in the asphalt of a playground. He traced the cracks and painted them with black enamel paint. Then he carefully cut and burned away the plastic surrounding the cracks. What was left was a giant spidery web.
This blog post was submitted by Ashley Harris.
It’s summertime at the de Young, which means that the museum’s Summer Art Camp is in full swing and the Hamon Education Tower has been filled with talented young artists and creative energy. During week one, campers explored the theme of “Mixed Media Madness,” creating pieces that incorporated a range of materials and techniques including oil pastel and watercolor resist, splatter painting, masking, and plein air ink wash paintings. The incredible art making continued into week two as campers studied works in the de Young’s permanent collection and crafted their own pieces centered around the idea of “Stories in Art.”
Last week, our friends at the San Francisco Zoo welcomed a zooborn baby giraffe. Today, we introduce you to our resident giraffe, Zarafa, who is pictured on a 19th-century bedcover featured in the special exhibition From the Exotic to the Mystical: Textile Treasures from the Permanent Collection (on view until August 4, 2013). In this blog post, Zarafa shares her fascinating history as she takes us on a fantastical journey across the world.
Spring in San Francisco brings with it a season of art fairs, including artMRKT whose opening night preview reception this Thursday, May 16 benefits the Fine Arts Museums of San Francisco’s newly created New Acquisitions Fund. Featuring 70 galleries from around the globe, artMRKT provides a unique opportunity for museum professionals and art enthusiasts to gather, discuss, and view the world’s premier contemporary and modern art. This year, artMRKT includes a series of special lectures presented by several of our own curators, including Emma Acker, assistant curator of American art. We sat down with Ms. Acker to discuss the relationship between art fairs and museums, such as the de Young and the Legion of Honor.
The special exhibition Rembrandt’s Century, closing on June 2, is remarkable not only for its breadth but also for the fact that it is drawn primarily from the Achenbach Foundation for Graphic Arts (AFGA), the works on paper department at the Fine Arts Museums of San Francisco. As curator Jim Ganz relates, this exhibition’s compilation required an epic treasure hunt through the Museums’ permanent collections, an endeavor that proved neither easy nor efficient, but was ultimately incredibly fruitful.
One of the most exciting aspects of working in paper conservation at the Legion of Honor is the variety of objects encountered on a daily basis. When working on a 17th-century print, for example, conservation intern Laura Neufeld faced many traditional paper conservation challenges. Pier Gustafson’s Father’s Suitcase, on the other hand, is a one-of-a kind artwork that required unique treatment solutions.
Almost as soon as the Salon Doré was de-installed from Gallery 11 late last year, the comprehensive conservation and restoration project began (and continues today in full view of the public in Gallery 13). Before a single component of the room was removed, however, months of planning and research went into readying the Salon Doré for this massive undertaking.
The special exhibition Rembrandt’s Century, currently on view alongside Girl with a Pearl Earring: Dutch Paintings from the Mauritshuis, is striking both in its breadth and for the fact that the works on view all come from the Fine Arts Museums’ permanent collections. Preparations for this exhibition were lengthy, with some works requiring restoration treatments.