As we simultaneously prepare for Halloween and the opening weekend of Masters of Venice: Renaissance Painters of Passion and Power from the Kunsthisorisches Museum, Vienna (which opens tomorrow, October 29), what better topic to kick off the festivities than a post about the sumptuous tradition of masquerade?
FRAME|WORK is a weekly blog series that highlights an artwork in the Museums' permanent collections. This week, in a joint celebration of Halloween and the imminent opening of Masters of Venice: Renaissance Painters of Passion and Power, we feature an extraordinary mask fan from the department of Textile Arts.
The annual San Francisco Fall Antiques Show (SFFAS) has longstanding ties with the Fine Arts Museums, sharing benefactors, lenders, board members, and volunteers, including special project curator of European Decorative Arts and Sculpture, Maria Santangelo. For the past several years, Santangelo has donated her curatorial capabilities to the exhibition that serves as the centerpiece of the fair.
The Artist-in-Residence program resumes this month in the Kimball Education Gallery with Glenda Joyce Hape, a Māori artist from New Zealand. Glenda is a weaver who combines traditional and contemporary techniques and materials to create Māori kakahu, or cloaks. We recently sat down with Glenda to discuss her background, practice, and inspiration.
FRAME|WORK is a weekly blog series that highlights an artwork in the Museums' permanent collections. This week, we feature an exemplary Māori cloak from the Museums’ inaugural collections (currently on display at the de Young) in honor of the October Artist-in-Residence, Māori weaver Glenda Joyce Hape.
Clothes tell a story. Here at the Fine Arts Museums, our closets are filled with gowns, costumes, and accessories worn by countless cultural icons of days gone by. Today we give you a rare glimpse into our vaults as we reveal some of the most famous skeletons in our closet!
We don’t have any top hats, white ties or tails worn by the light-as-air Mr. Astaire, but we do have this bright red Chinese costume (with shoes!) that he wore in the “Limehouse Nights” sequence of MGM’s film Ziegfeld Follies, 1944.
Throughout art history, scholars have devised a special vocabulary to talk about art. These terms are very useful, but they are not always self-explanatory. Enter into the art historical word gallery, where we provide some definitions commonly used to describe artistic styles, techniques, or movements in art.
Paper is fundamental to traditional printmaking, but paper as a medium can be as diverse as the images printed on its surface. Surface Tension: Contemporary Prints from the Anderson Collection (on view at the de Young through January 15, 2012) puts paper front and center, exploring the ways in which artists from the late 1960s to today engage paper as more than just a surface.
Though no ink touched the paper in Josef Albers's Embossed Linear Construction series (1969), he used embossing, a traditional printmaking process, to transform ordinary sheets of watercolor paper into subtle bas-relief constructions that extend into the viewer’s space.