FRAME|WORK is a weekly blog series that highlights an artwork in the Museums' permanent collections. Today, in honor of Jacob Lawrence's birthday, we feature his compelling masterwork Migration, currently on display at the de Young.
The academic tradition of learning to draw by imitating the works of established masters has been alive for centuries. Professor Rick Rodrigues has been bringing this rich tradition the Fine Arts Museums of San Francisco since 1995, when he initiated a partnership between the City College of San Francisco and the Museums. Professor Rodrigues's drawing classes cover a variety of skills and techniques, ranging from basic life-drawing using models and tone-drawing to more obscure old-master techniques, such as silverpoint drawing or staining with tea or coffee. His much-beloved classes are a deeply fulfilling experience, giving young artists the opportunity to learn from art history's old masters directly in the museum setting.
Visitors are always welcome to sketch in the Museums' permanent collection galleries. Sketching in special exhibition galleries is by permission only and subject to lender and gallery restrictions. Please see our museum policies for more information.
Education intern Megan Friel recently sat down with Professor Rodrigues, who is still passionately committed to the academic tradition of museum drawing after 16 years of teaching, to discuss his experiences directing the program.
FRAME|WORK is a weekly blog series that highlights an artwork in the Museums' permanent collections. This week, we feature a monumental kilim that will be featured prominently in the upcoming exhibition The Art of the Anatolian Kilim: Highlights from the McCoy Jones Collection, which opens September 10.
Throughout art history, scholars have devised a special vocabulary to talk about art. These terms are very useful, but they are not always self-explanatory. So we thought we'd take you into the art historical word gallery to provide some definitions commonly used to describe artistic styles, techniques, or movements in art.
Favorite Things: An Exhibition of Artist Books in Memory of David Logan, 1918–2011, a selection of books from the Reva and David Logan Collection of Illustrated Books, is currently on view at the Legion of Honor in through February 12, 2012.
Comprising approximately 300 volumes, the Logan Collection is one of the foremost collections of modern artists’ books (also called livres d’artiste, or illustrated books) to find a home within a museum.
FRAME|WORK is a weekly blog series that highlights an artwork in the Museums' permanent collections. This week, we feature the graphically arresting Red Fuji by renowned Japanese printmaker Katsushika Hokusai. A well-known Japanese saying suggests that you would be a fool not to climb Mount Fuji once, but a fool to do so twice. Since it is currently not on view, you would be a fool not to enjoy this virtual viewing of Mount Fuji!
Throughout art history, scholars have devised a special vocabulary to talk about art. These terms are very useful, but they are not always self-explanatory. So we thought we'd explore the art historical word gallery to provide you with some definitions commonly used to describe artistic styles, techniques or movements in art.
The Fine Arts Museums’ collection of antiquities has played a central role in the development of both the de Young and the Legion of Honor. This summer, we offered a teacher institute for sixth grade teachers to enrich their schools by using our ancient art collections in their curricula. This program, presented in partnership with the UC Berkeley History–Social Studies Project (UCBH-SSP), gave teachers the tools to teach students how to think like historians.
In anticipation of The Art of the Anatolian Kilim: Highlights from the McCoy Jones Collection (which opens September 10) the Textiles Conservation team is busy at work preparing each rug for display. It is a meticulous and time-consuming process!
First, the kilims have to be taken out of storage. Normal cardboard contains acid that can cause staining on textiles, which is why kilims are rolled onto blue, acid-free cardboard tubes for storage.To avoid harm from dust, the tubes are shrouded in unbleached cotton fabric.