Collections

Forty Years of Keith

The year 2012 represents a milestone for Chuck Close, the Crown Point Press, and the Fine Arts Museums of San Francisco’s works on paper department, the Achenbach Foundation for Graphic Arts. Chuck Close and Crown Point Press: Prints and Processes, the special exhibition currently on view in the Anderson Gallery, honors these lasting relationships.

Keith1

Trial proof for Keith, 1972. Mezzotint. Crown Point Press Archive, Museum purchase, Bequest of Whitney Warren, Jr. in memory of Mrs. Adolph B. Spreckels. 1991.28.98

Mixed Media Madness at the de Young Summer Art Camp

The de Young's annual Summer Art Camp has begun! Each week throughout the summer, we'll be sharing posts about the amazing activities and artworks our creative campers are doing. Here's the scoop from week one, submitted by guest blogger Ashley Harris.

Conflict in the Collections

De Young Artist Fellows Andy Diaz Hope and Laurel Roth are artists-in-residence this month in the Artist Studio. They are working on completing the third monumental tapestry in their triptych entitled The Conflicts. Today, guest blogger Andy Diaz Hope discusses aspects of the Museums’ permanent collections that touch on the themes contained in this project.

Happy birthday, Julia Margaret Cameron!

Since its invention in the mid 19th century, photography has been at the forefront of progressive art making traditions—so its presence in The Cult of Beauty: The Victorian Avant-Garde, 1860–1900 is no surprise. By the 1890s, photography was a half-century old and its supporters vociferously claimed it to be an independent art form, advocating for the idea of "art photography." Today we celebrate the birthday of Julia Margaret Cameron, one of the greatest photographers from this period and whose work is currently on display in The Cult of Beauty at the Legion of Honor (closing this Sunday, June 17).

Portrait of a Woman

Julia Margaret Cameron (English, 1815–1879). Portrait of a Woman (Louise Beatrice de Fonblanque), 1868. Albumen silver print from wet-collodion-on-glass negative mounted to a heavier sheet. Museum purchase, Mrs. Milton S. Latham Fund. 1992.138

Corsets in Context: A History

The corset looms large in special exhibitions at both the de Young and the Legion of Honor. Jean Paul Gaultier, the subject of the de Young's  The Fashion World of Jean Paul Gaultier: From the Sidewalk to the Catwalk , integrated this iconic garment into his prêt-à-porter collections as early as 1983. Meanwhile, over at the Legion of Honor in The Cult of Beauty: The Victorian Avant-Garde, 1860 –1900 (on view through June 17) the artists of the Aesthetic Movement rejected the corset in defiance of Victorian era fashions and social mores. Tonight, Friday Nights at the de Young explores the surprisingly dynamic world of Haute Corsets , with local corset makers Dark Garden and a screening of Truth or Dare , in which Madonna gets into the groove wearing Gaultier's unforgettable cone bra corset. Before you lace up, bone up on the fascinating history of this beguiling bodice!

Mashup

Left: Emil Larsson, Body corset worn by Madonna, Blond Ambition World Tour, 1990. Dazed & Confused, April 2008 © Emil Larsson; Right: Edward Burne-Jones (English, 1833–1898). Pomona, 1886–1920. Wool, silk, cotton; tapestry weave. Museum purchase, Dorothy Spreckels Munn Bequest Fund. 2001.120.2

The Wonderful World of Victorian Children's Books

In the special exhibition Making the Modern Picture Book: Children’s Books from the Victorian Era (on view at the Legion of Honor through June 17), the intimate art of 19th-century story telling is revealed. England at this time was undergoing a formative period in the design, production, and marketing of children’s books, which were often gifted as rewards or prizes, and reinforced socially acceptable behavior in the guise of entertainment. Maintaining the principles of the Aesthetic Movement, publishers and renowned illustrators achieved a compelling fusion of art and literature.

L is for Lady

William Nicholson (British, 1872–1949). An Alphabet: L is for Lady, 1898. Color lithograph. Achenbach Foundation for Graphic Arts. 1963.30.1351.13

Mark Garrett Will Work for Art!

Will Work for Art introduces you to the people who make the Fine Arts Museums work. Today, we visit the Achenbach Foundation for Graphic Arts where we meet Mark Garrett, a senior museum technician. Originally from Tennessee, Mark has been with the Museums for 23 years!

Mark Garrett

Designing Arthur Tress: San Francisco 1964

This weekend marks your last chance to experience the special exhibition Arthur Tress: San Francisco 1964 , on view at the de Young until June 3. As book designer and guest blogger Martin Venezky aptly notes, the catalogue represents a lasting impression of an otherwise temporary exhibition. Today, Venezky shares with us the process behind the creation of this unique publication.

The catalogue for the special exhibition Arthur Tress: San Francisco 1964 provides a nice case study into the inner workings of a book design. The book itself is deceptively simple. It contains reproductions of sixty-eight photographs from the exhibition, an essay, an interview, locations and credits, a foreword, and a set of additional images—some historical, some personal, and some working contact sheets. But beneath the seemingly placid surface there were hundreds of options to consider and decisions to make.

Cover

Pages

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