We are happy to announce the return of Will Work for Art, a series of interviews featuring the incredibly diverse group of people who work here at the Fine Arts Museums! This week, we introduce you to Carrie Cottini, the acting member council administrator. Originally from Sacramento, Carrie has been with the Museums for four years as of this week. Happy anniversary, Carrie!
Tomorrow, May 12, 2012, the Legion of Honor presents Music, Muses and Divas , public programs associated with The Cult of Beauty: The Victorian Avant-Garde, 1860–1900 (on view through June 17). Premier scholars of Victorian art Tim Barringer and Peter Trippi lecture on the complmentary topics of music and theater in the context of the Aesthetic Movement. We asked our lecturers a few questions about their respective talks to provide insight into the day’s presentations.
Before there were digital image files and even before there was film, photographers captured images on glass plate negatives. In the collection of the Fine Arts Museums of San Francisco there are over seventy of these glass plate negatives depicting scenes of Land’s End and old San Francisco. Discovered in the basement of the old de Young, these century-old negatives were in desperate need of cleaning and re-housing. When the negatives came into the paper conservation lab at the Legion of Honor for proper care, the labor intensive project proved a perfect opportunity for pre-program conservation student Jennifer Martinez.
Guest-blogger Tim Svenonius is the interpretive media producer at the San Francisco Museum of Modern Art and an artist in his own right. Here he shares his insights and reflections after seeing Matter + Spirit: The Sculpture of Stephen De Staebler on view at the de Young through May 13.
FRAME|WORK is a weekly blog series highlighting an artwork in the Museums’ permanent collection. This week we take a closer look at Claude Monet’s impressionist depictiion of the Grand Canal in Venice, from 1908.
In this installment of our continuing blog series examining key elements of the Aesthetic Movement through the lens of John Stanhope’s masterwork Love and the Maiden (typically on view in gallery 18 at the Legion of Honor and currently on view in The Cult of Beauty: The Victorian Avant-Garde, 1860–1900), curatorial assistant of European art Melissa Buron takes a closer look at color.
FRAME|WORK is a weekly blog series that highlights an artwork in the Museums permanent collections. Today we commemorate the 1906 earthquake and ensuing fire that ravaged the majority of San Francisco. Arnold Genthe’s Untitled (Portals of the Past), a jewel of the Museums’ photography collection, provides a look back at that dark day. This photograph is currently not on display, so please enjoy this exclusive virtual viewing.
From his earliest forays into fashion design, Jean Paul Gaultier utilized surprising and sometimes recycled materials. As a child, inspired by his grandmother’s corset, Gaultier repurposed crumpled newspaper to create the conical-shaped falsies that he attached to his beloved teddy bear, Nana. Entering its seventh year, Discarded to Divine—an event that auctions off designer duds made from donated clothing to benefit the homeless—exemplifies Gaultier’s earliest instincts to recycle with style and purpose.