Guest-blogger Tim Svenonius is the interpretive media producer at the San Francisco Museum of Modern Art and an artist in his own right. Here he shares his insights and reflections after seeing Matter + Spirit: The Sculpture of Stephen De Staebler on view at the de Young through May 13.
FRAME|WORK is a weekly blog series highlighting an artwork in the Museums’ permanent collection. This week we take a closer look at Claude Monet’s impressionist depictiion of the Grand Canal in Venice, from 1908.
In this installment of our continuing blog series examining key elements of the Aesthetic Movement through the lens of John Stanhope’s masterwork Love and the Maiden (typically on view in gallery 18 at the Legion of Honor and currently on view in The Cult of Beauty: The Victorian Avant-Garde, 1860–1900), curatorial assistant of European art Melissa Buron takes a closer look at color.
FRAME|WORK is a weekly blog series that highlights an artwork in the Museums permanent collections. Today we commemorate the 1906 earthquake and ensuing fire that ravaged the majority of San Francisco. Arnold Genthe’s Untitled (Portals of the Past), a jewel of the Museums’ photography collection, provides a look back at that dark day. This photograph is currently not on display, so please enjoy this exclusive virtual viewing.
From his earliest forays into fashion design, Jean Paul Gaultier utilized surprising and sometimes recycled materials. As a child, inspired by his grandmother’s corset, Gaultier repurposed crumpled newspaper to create the conical-shaped falsies that he attached to his beloved teddy bear, Nana. Entering its seventh year, Discarded to Divine—an event that auctions off designer duds made from donated clothing to benefit the homeless—exemplifies Gaultier’s earliest instincts to recycle with style and purpose.
During the second half of the 19th century, the face of European art history was altered by artists on both sides of the English Channel. This week’s FRAME|WORK features Le Banc de Jardin (The Garden Bench ), a print by French artist James Tissot, who was as at home with the Victorian avant-garde in London as he was with the Impressionists in Paris. This print is currently on display in Gallery 18 at the Legion of Honor and Tissot’s painting also appears in the special exhibition The Cult of Beauty: The Victorian Avant-Garde, 1860–1900.
FRAME|WORK is a weekly blog series that highlights an artwork in the Museums' permanent collections. This week, we feature a painting by Johnny Warangkula Tjupurrula, a member of the Papunya Tula artist collective. Children’s story (water dreaming for two children) is currently on loan to Australia's National Gallery of Victoria.
The exhibition Matter + Spirit: The Sculpture of Stephen De Staebler is on view at the de Young Museum through May 13. Stephen De Staebler’s widow, the artist Danae Mattes, worked closely with the Museums on this exhibition and its accompanying catalogue. She shares with the Museums’ managing editor of publications, Leslie Dutcher, some of her impressions of Stephen De Staebler’s work and her collaboration with him.