The subject of quality health care has dominated political rhetoric for decades, but the issue has been of interest for centuries. This week’s FRAME | WORK examines one of the earliest manifestations of the power of medicine in the form of the Statue of Asklepios currently on view in the Hall of Antiquities at the Legion of Honor.
This month, the de Young begins its second installment of the Artist Fellows program, which brings working artists from a variety of disciplines into the museum for a year. During this year, Artist Fellows will break open their art process by exhibiting works-in-progress and investigating new avenues of creativity through collaboration with the museum, partner institutions and other artists.
Each artist is associated with a collaborating institutional partner, an aspect of the program specifically designed to encourage museum engagement with local, community based arts organizations. Working both within and without the walls, the Artist Fellows will inhabit a new kind of museum, one without walls. In celebration of this next phase of the Artist Fellows program, we will focus on these extra-museum collaborations in a blog series called Museum Without Walls.
January 17, 2012
Pablo Picasso said, “Every child is an artist. The problem is how to remain an artist once we grow up.” With this in mind, we recently toured the de Young with a precocious eight-year-old named Trevor to learn what we could about the experience of the museum and its art from a child’s perspective. Needless to say, we learned a lot.
December 9, 2011
This week we celebrate Thanksgiving and the beginning of the holiday season when we reflect on what we value most in life: family. Family is also the focus of Artist Fellow Kevin Epps’s documentary Fam Bam, which critically examines the structure of the black family in America and premieres this Friday Night at the de Young.
In keeping with this theme, the final Friday Night of the season will host a San Francisco family reunion, de Young style. Share the de Young with your loved ones by taking this self-guided tour through the permanent collection to see how artists from around the world and throughout history have depicted the age-old subject of family.
Start your tour in Gallery 12 just off of Wilsey Court, where you will enter the mysterious world of Ralph Eugene Meatyard: Masks and Dolls. Meatyard's family, although often masked, served as the primary model for the photographer. Focusing on childhood and familial relationships, Meatyard sought to reveal the emotional reality of universal experiences.
November 25, 2011
FRAME|WORK is a weekly blog series that highlights an artwork in the Museums' permanent collections. This week we feature an intimate picture by Édouard Manet currently on display in Gallery 19 at the Legion of Honor.
November 9, 2011
The academic tradition of learning to draw by imitating the works of established masters has been alive for centuries. Professor Rick Rodrigues has been bringing this rich tradition the Fine Arts Museums of San Francisco since 1995, when he initiated a partnership between the City College of San Francisco and the Museums. Professor Rodrigues's drawing classes cover a variety of skills and techniques, ranging from basic life-drawing using models and tone-drawing to more obscure old-master techniques, such as silverpoint drawing or staining with tea or coffee. His much-beloved classes are a deeply fulfilling experience, giving young artists the opportunity to learn from art history's old masters directly in the museum setting.
Visitors are always welcome to sketch in the Museums' permanent collection galleries. Sketching in special exhibition galleries is by permission only and subject to lender and gallery restrictions. Please see our museum policies for more information.
Education intern Megan Friel recently sat down with Professor Rodrigues, who is still passionately committed to the academic tradition of museum drawing after 16 years of teaching, to discuss his experiences directing the program.
September 1, 2011
In anticipation of The Art of the Anatolian Kilim: Highlights from the McCoy Jones Collection (which opens September 10) the Textiles Conservation team is busy at work preparing each rug for display. It is a meticulous and time-consuming process!
First, the kilims have to be taken out of storage. Normal cardboard contains acid that can cause staining on textiles, which is why kilims are rolled onto blue, acid-free cardboard tubes for storage.To avoid harm from dust, the tubes are shrouded in unbleached cotton fabric.