If you’re fretting over what frock to wear on New Year's Eve, this week’s FRAME|WORK provides some inspiration from the “Dean of American Fashion.” Sure to invite some resolution-worthy dance moves, Norman Norell’s Woman's Evening Dress is nothing if not celebratory. This dress is not currently on view, so we hope you enjoy this exclusive virtual viewing.
"Will Work for Art" takes you behind the scenes to meet the people who make the Fine Arts Museums work. This week we meet museum educator and "Mr. Friday Night," Gregory Stock. Originally from Saint Louis, Missouri, Gregory just celebrated his one-year anniversary as a full-time employee at the Museums.
For many, the winter holidays are as much about eating as they are about gifting! Today’s FRAME|WORK features Wayne Thiebaud’s iconic Candy Apples, a delicious reminder to eat and love well this holiday season.
Traditionally, exhibitions come with an associated publication, the requisite exhibition catalog. But in the case of Artistic San Francisco (on view at the Legion of Honor through January 22, 2012) this relationship was inverted, and in a surprising twist of fate, a book inspired an exhibition.
So how did this unusual chain of events come about? In early 2010, the Museums’ publications department approached Achenbach Foundation for Graphic Arts curator Jim Ganz and asked him to make a selection of Bay Area views for a small volume to be co-published with Pomegranate in the fall of 2011. Drawing from the vast holdings of the Legion of Honor and the de Young Museum, Ganz carefully chose a wide variety of artworks ranging in style, medium and time period to feature in the publication.
With Friday Nights at the de Young on hiatus until March 30, 2012, we thought we’d take a moment to recognize some of our most dedicated supporters. Meet the Pelaez family, longtime museum members and intrepid fans of Friday Nights at the de Young. Parents Jenna and Steve along with their two kids, Payton, 7 and Aria, 5 have rarely missed a Friday Night in the past six years. We asked them what were some of the highlights from their weekly ritual.
December Artist-in-Residence Genevieve Quick examines the history and wonder of telescopes, Victorian projectors, photography and space-age satellites. In The Lens Lab (on view through December 31, 2011, in the Kimball Education Gallery), Quick invites the public to interact with her hand-fabricated cameras. Participants are encouraged to use her modified cameras to photograph the museum and its grounds.
FRAME|WORK is a weekly blog series that highlights an artwork in the Museums' permanent collections. As we approach the Christmas holiday, it seems only appropriate to examine one of the many works in the European Decorative Arts and Sculpture department that deals with the subject of the Holy Family. This poignant Virgin and Child with Putti by Andrea della Robbia is currently on display in Gallery 4 at the Legion of Honor.
One of the most remarkable moments in Pissarro’s People (on view at the Legion of Honor through January 22, 2012) comes toward the end of the exhibition in the form of an album of pen and ink drawings entitled Turpitudes sociales (“social turpitude,” or disgraces).
Pablo Picasso said, “Every child is an artist. The problem is how to remain an artist once we grow up.” With this in mind, we recently toured the de Young with a precocious eight-year-old named Trevor to learn what we could about the experience of the museum and its art from a child’s perspective. Needless to say, we learned a lot.
Throughout art history, politics have inspired, informed and incited the cultural production of artists throughout the world. In today’s context of social and political unrest, the subject seems particularly relevant. Two major exhibitions in San Francisco and New York currently bookend the country with the art and politics of the radical left. In both Pissarro’s People (on view at the Legion of Honor through January 22, 2012) and Diego Rivera: Murals for the Museum of Modern Art (on view at the Museum of Modern Art through May 14, 2012), the political beliefs of the artists are placed front and center.