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Meet the de Young Family

This week we celebrate Thanksgiving and the beginning of the holiday season when we reflect on what we value most in life: family. Family is also the focus of Artist Fellow Kevin Epps’s documentary Fam Bam, which critically examines the structure of the black family in America and premieres this Friday Night at the de Young.

In keeping with this theme, the final Friday Night of the season will host a San Francisco family reunion, de Young style. Share the de Young with your loved ones by taking this self-guided tour through the permanent collection to see how artists from around the world and throughout history have depicted the age-old subject of family.

Start your tour in Gallery 12 just off of Wilsey Court, where you will enter the mysterious world of Ralph Eugene Meatyard: Masks and Dolls. Meatyard's family, although often masked, served as the primary model for the photographer. Focusing on childhood and familial relationships, Meatyard sought to reveal the emotional reality of universal experiences.

Ambrose Bierce, 1964. Gelatin silver print. Courtesy Fraenkel Gallery.

FRAME|WORK: Halved Cabbage by Edward Weston

Tomorrow, most of us will sit down with family and friends to enjoy a cornucopia of Thanksgiving comestibles that will leave many satiated to the point of sickness. In preparation, this week’s FRAME|WORK takes a closer look at Edward Weston’s Halved Cabbage, whose beauty and detail give new meaning to the concept of good taste.

FRAME|WORK: Seed Jar by Jacob Koopee

FRAME|WORK is a weekly blog series that highlights an artwork in the Museums' permanent collections. This week we feature an extraordinary contemporary piece of Pueblo pottery born out of centuries-old traditions. Jacob Koopee's seed jar is currently on display at the de Young.

Remixing San Francisco: An Interview with Director of "Block by Block," Sean San José

Campo Santo, de Young Artist Fellow and award-winning resident theater company of Intersection for the Arts premieres Block by Block: The Pura Principle, its newest theatrical work, in the de Young's Koret Auditorium on November 17, 18, and 19. The performance is based on recent short stories and original writings by Pulitzer Prize-winning author Junot Díaz.

Block by Block brings back to the stage Díaz’s wild and beautiful voice. Sean San José, theater director for Campo Santo, has adapted Diaz’s writings to life in our city, bringing a multimedia San Francisco block party to the de Young.

Audiences will be taken on a journey through San Francisco, block by block. Actors, dancers, and musicians interpret six neighborhoods–downtown, the Fillmore, the Excelsior, Hunters Point, the Mission, and the Castro–in vignettes reflecting the unique rituals found in each of these culturally rich neighborhoods. Experience DJ battles with Felonious; dance-offs with Nicole Klaymoon and the Embodiment Project; the murals of the Mission with projected visuals created by acclaimed artists Favianna Rodriguez, Evan Bissell, and Ricardo Richey; the urban life and writings of Junot Díaz with the Campo Santo Street Team and DJ Wonway; and Susie Lund, who transports you with Subway Strutting to Carnaval.

Watch a preview here.

How did we arrive at this place? We spoke with director Sean San José to take a deeper look at the inspiration and creative process behind Block by Block.

Sean San  Jose

Photo by Adrian Arias

To Honor the Dead While Serving the Living

On Armistice Day in 1924, the California Palace of the Legion of Honor opened its doors to the public. Dedicated to the 3,600 California soldiers, sailors and marines who gave their lives during World War I, the Legion of Honor pledged to “honor the dead while serving the living.”

Today, we not only celebrate the sacrifices of countless servicemen and women, but also the 87th birthday of the Legion of Honor Museum. To commemorate this meaningful day, we hope you enjoy this selection of related artwork.

The de Young Celebrates the 100th Anniversary of the San Francisco Symphony

Both the de Young and the San Francisco Symphony have been fixtures on the San Francisco arts and culture scene for over a century, the de Young originating from the 1894 Midwinter Fair and the Symphony celebrating an auspicious 100th anniversary this year. Our two institutions have a history of collaboration and cooperation, the most notable of which is the loan of the Fine Arts Museums’ priceless 18th-century Guarnerius violin—a bequest of famed musician Jascha Heifetz—to the symphony, where it is played by concertmaster Alexander Barantschik during performances at Davies Symphony Hall and the Legion of Honor’s Florence Gould Theater.

William Michael Harnett (American, 1848–1892). The Old Violin, ca. 1886. Lithograph on plate glass (reverse glass print). Gift of Mr. and Mrs. Joseph Brotherton in memory of Harry Packard. 2001.40

Introducing November Artist-in-Residence John Wehrle

November artist-in-residence John Wehrle has been creating really big art since 1975. He specializes in site-specific public artworks, and his projects include mural-size paintings for interior and exterior walls as well as elaborate architectural installations that integrate text, painting, ceramic tile, and relief sculpture. Wehrle is working in the Kimball Education Gallery through November 25.

FRAME|WORK: Calavera de Don Folias y el Negrito by Jose Guadalupe Posada

FRAME|WORK is a weekly blog series that highlights an artwork in the Museums' permanent collections. Today we honor the culture of Día de los Muertos with a print from master Mexican graphic artist José Guadalupe Posada. This artwork is currently not on display, so we hope you enjoy this exclusive virtiual viewing.

Will Work for Art: Natasa Morovic

"Will Work for Art" takes you behind the scenes to meet the people who make the Fine Arts Museums work. This week we take you into the intriguing world of frame conservation to meet Natasa Morovic (imagine an “h” after the “s” in her first name, and after the “c” in her last name, and you get the right pronunciation). Natasa is the associate frames conservator working in Paintings Conservation. Originally from Slovenia, she has worked with the Museums for fourteen years!

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