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Mixed Media Madness at the de Young Summer Art Camp

The de Young's annual Summer Art Camp has begun! Each week throughout the summer, we'll be sharing posts about the amazing activities and artworks our creative campers are doing. Here's the scoop from week one, submitted by guest blogger Ashley Harris.

Conflict in the Collections

De Young Artist Fellows Andy Diaz Hope and Laurel Roth are artists-in-residence this month in the Artist Studio. They are working on completing the third monumental tapestry in their triptych entitled The Conflicts. Today, guest blogger Andy Diaz Hope discusses aspects of the Museums’ permanent collections that touch on the themes contained in this project.

From Native Culture to Indigenous Couture

The influence of a variety of non-western cultures can be seen throughout the collections featured in The Fashion World of Jean Paul Gaultier: From the Sidewalk to the Catwalk. Tonight at Friday Nights at the de Young, we honor the origins of these influences with an evening of Indigenous Couture curated by Native American artist, dancer, and designer Eddie Madril.

Arctic Influences

Proud to be JPG

This weekend San Francisco (and the world) celebrates gay pride with rainbows, parades, love, and equality. What better way to ring in the revelry than with a visit to The Fashion World of Jean Paul Gaultier: From the Sidewalk to the Catwalk, which highlights the designer’s personal ethos of “equality, diversity and perversity?” Blurring the lines between male and female, Gaultier achieves a code of beauty that is at once masculine, feminine, and androgynous. The openly gay Gaultier has never been afraid to break social taboos, and in so doing has created his own open-minded and generous fashion world.

Men in Lace

Extravagance and Luxury: Victorian San Francisco

This is the last week to see The Cult of Beauty: The Victorian Avant-Garde 1860–1900which closes on Sunday, June 17, at the Legion of Honor. San Francisco has been the perfect host city in which to display this groundbreaking exhibition due in no small part to the city’s rich Victorian past. At a recent panel discussion,  "Extravagance and Industry,"  hosted by

Corsets in Context: A History

The corset looms large in special exhibitions at both the de Young and the Legion of Honor. Jean Paul Gaultier, the subject of the de Young's  The Fashion World of Jean Paul Gaultier: From the Sidewalk to the Catwalk , integrated this iconic garment into his prêt-à-porter collections as early as 1983. Meanwhile, over at the Legion of Honor in The Cult of Beauty: The Victorian Avant-Garde, 1860 –1900 (on view through June 17) the artists of the Aesthetic Movement rejected the corset in defiance of Victorian era fashions and social mores. Tonight, Friday Nights at the de Young explores the surprisingly dynamic world of Haute Corsets , with local corset makers Dark Garden and a screening of Truth or Dare , in which Madonna gets into the groove wearing Gaultier's unforgettable cone bra corset. Before you lace up, bone up on the fascinating history of this beguiling bodice!

Mashup

Left: Emil Larsson, Body corset worn by Madonna, Blond Ambition World Tour, 1990. Dazed & Confused, April 2008 © Emil Larsson; Right: Edward Burne-Jones (English, 1833–1898). Pomona, 1886–1920. Wool, silk, cotton; tapestry weave. Museum purchase, Dorothy Spreckels Munn Bequest Fund. 2001.120.2

The Wonderful World of Victorian Children's Books

In the special exhibition Making the Modern Picture Book: Children’s Books from the Victorian Era (on view at the Legion of Honor through June 17), the intimate art of 19th-century story telling is revealed. England at this time was undergoing a formative period in the design, production, and marketing of children’s books, which were often gifted as rewards or prizes, and reinforced socially acceptable behavior in the guise of entertainment. Maintaining the principles of the Aesthetic Movement, publishers and renowned illustrators achieved a compelling fusion of art and literature.

L is for Lady

William Nicholson (British, 1872–1949). An Alphabet: L is for Lady, 1898. Color lithograph. Achenbach Foundation for Graphic Arts. 1963.30.1351.13

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