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A Conservation Triumph: 1994–2013

For the first time ever, three prized tapestries from the Fine Arts Museums of San Francisco’s permanent collection will be exhibited together in the Legion of Honor’s Gallery 1. The entire series, known as The Triumph of the Seven Virtues, consists of seven tapestries that depict allegorical representations of the theological virtues—Faith, Hope, and Charity—and the cardinal virtues—Temperance, Prudence, Justice, and Fortitude. While 10 museums in Europe, the United States, and Russia possess tapestries from this series, the Fine Arts Museums have The Triumph of Fortitude, The Triumph of Prudence, and the only extant example of The Triumph of Justice.

The monumental tapestry (and the only one of its kind) The Triumph of Justice

Triumph of Justice from The Triumph of the Seven Virtues Series, ca. 1535. Belgium, Brussels, Flemish. Wool, silk; tapestry weave. Gift of The William Randolph Hearst Foundation. 1957.125

August 29, 2013

Have Turban Will Travel

Objects are fussy. They’re susceptible to humidity, light levels, vibrations, and any number of other dangers, both large (floods) and small (mice). And whether it’s a tiny tea cup or a four-ton bronze statue, each object also has its own idiosyncrasies. Wood, for example, doesn’t get along with water, and paper can’t stand light. A museum is carefully designed, in part, to control all these factors and to give objects the secure and stable home they deserve. But what happens when an object needs to travel outside the museum’s walls?

The permanent collections of the Fine Arts Museums of San Francisco number over 100,000 objects, and only a percentage are on view. However, many of these treasured artworks can be viewed in exhibitions at other institutions throughout the world at any given time. When art objects are loaned in this way, they often travel for long periods of time, which is why it’s so important for our conservators to carefully prepare objects for their extended journeys. Such was the case when the Cleveland Museum of Art requested to borrow an ancient turban from the Nasca culture of Peru, featured in the exhibition Wari: Lords of the Ancient Andes that opened last week.

Turban, 200–600. Peru, South Coast, Nasca. Cotton cord wrapped with a band of camelid fiber fringe. The Caroline and H. McCoy Jones Collection Gift of Caroline McCoy-Jones. 2000.17.5

November 7, 2012

The Kilims Are Coming!

In anticipation of The Art of the Anatolian Kilim: Highlights from the McCoy Jones Collection (which opens September 10) the Textiles Conservation team is busy at work preparing each rug for display. It is a meticulous and time-consuming process!

First, the kilims have to be taken out of storage. Normal cardboard contains acid that can cause staining on textiles, which is why kilims are rolled onto blue, acid-free cardboard tubes for storage.To avoid harm from dust, the tubes are shrouded in unbleached cotton fabric.

August 18, 2011

Under Wraps: The furniture at the Legion gets custom-made covers

For the last several months, Textile Conservation volunteers Kathy Murphy, Jean Scardina, intern Erica Storm and Objects Conservation volunteer Tegan Broderick have all been hard at work making covers for the furniture stored at the Legion of Honor. While most of the chairs were already stored beneath loose-fitting pieces of cloth, custom covers provide the objects with better protection from light and dust. Clearly labeled covers also facilitate quick identification of the objects underneath and prevent unnecessary handling.

June 23, 2011

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