Lately, lace is everywhere you look. In December 2013 the de Young Museum opened Lace: Labor and Luxury, a small installation showcasing prints from the Achenbach Foundation of Graphic Arts featuring fashionable lace-wearing men and women alongside fine examples of lace from the costume and textile arts department.
On May 15—18 Art Market San Francisco, the Bay Area’s contemporary and modern art fair, returns to Fort Mason’s Festival Pavilion for its fourth annual show. Engaging the interest of both active and new collectors, the fair features artworks from approximately 70 established and up-and-coming galleries from around the country.
The Thomas Weisel Family’s recent gift of Native American art is comprised in large part of pottery, including rare Mimbres pieces that date back to the 11th century. Approximately 50 pieces of Mimbres and Pueblo pottery will be on view in the upcoming exhibition, Lines on the Horizon: Native American Art from the Weisel Family Collection, which highlights the gift. Pottery presents an interesting set of challenges when being considered for display, especially here in earthquake country. Our team of mount makers has been busily crafting custom-made mounts for each pot slated to go on view when the exhibition opens this Saturday, May 3.
Although Modern Nature: Georgia O’Keeffe and Lake George (on view at the de Young through May 11) focuses on the artist’s work created in upstate New York, O’Keeffe is famously associated with the arid deserts of New Mexico. Anna Koster, an artist who now lives in the Bay Area, shares her experience working with Georgia O’Keeffe at her beloved Ghost Ranch in Abiquiu, New Mexico.
On Friday, May 2, and Saturday, May 3, the de Young will host its sixth annual ARTWEAR event, where visitors can browse and take home pieces of original, wearable art. Featuring designs from 16 skilled Bay Area textile and jewelry artisans, ARTWEAR offers a colorful variety of apparel and accessories that are entirely handcrafted.
On Saturday, April 12, the de Young, the Legion of Honor, and dozens of other museums and galleries around the world will participate in Slow Art Day. Like the National Day of Unplugging, which encourages people to power down their smartphones and socialize face-to-face, Slow Art Day’s mission is to enable new connections with art that otherwise might be lost in the everyday blur of activity.
Emily Dreblow, founder of Soulflower Design Studio in San Francisco, is working on a floral creation for Bouquets to Art 2014—it’s her 5th year participating in the de Young’s art-inspired flower exhibition. Dreblow likes to approach her work with a focus on two values that are near and dear to San Francisco’s heart: community and sustainability.
I admit it: I LOVE museums. I have a sense of wonder every time I walk into one, and (obviously) art museums are among my favorites. But sometimes my kids get a little bored or start to complain after an overdose of paintings and sculptures, so I was thrilled last month when the de Young was transformed into a magical wonderland where children and their families romped, danced, and experienced art in a whole new way. The de Youngsters: A Bigger Family Party, the inaugural celebration of the next generation of museum-goers and art patrons, brought children, parents, and the Fine Arts Museums of San Francisco together for a night of pure joy.
January Artist-in-Residence John Zaklikowski has titled his residency Culture and Physics Collide, an apt description for his artwork which utilizes a wide variety of technological materials and meets at the intersection of art and science. His large-scale assemblages investigate notions of perception and optical illusion, illustrating the interplay of art, science, literature, and cultural studies.