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Artist-in-Residence Glenda Joyce Hape Harvests Flax in Golden Gate Park

One of the many goals of the Artist-in-Residence program at the de Young Museum is to explore connections between the artists and the surrounding park environment. These connections enrich our museum visitors' experience through the guest artists' explorations and interpretations. Visiting artists from around the globe offer a unique experience to learn about natural materials found right here in Golden Gate Park.

Māori artist Glenda Hape uses flax to weave and create contemporary art. There are more than 7,500 exotic plant species surrounding the de Young in Golden Gate Park, including several types of ornamental flax. The species of flax Glenda needed to continue her weaving projects in the Kimball Gallery is called Phormium tenax, also known as New Zealand flax (or harakeke in the Māori language). Last week, Glenda explained how difficult it is to harvest the materials she uses in her artistic practice, but with the assistance of Andy Stone, gardner and park supervisor for the San Francisco Recreation and Parks, Glenda's harvesting trip around Stowe Lake was bountiful and she found just the right flax (harakeke).

Fan shaped flax bush

An Interview with October Artist-in-Residence Glenda Joyce Hape

The Artist-in-Residence program resumes this month in the Kimball Education Gallery with Glenda Joyce Hape, a Māori artist from New Zealand. Glenda is a weaver who combines traditional and contemporary techniques and materials to create Māori kakahu, or cloaks. We recently sat down with Glenda to discuss her background, practice, and inspiration.

FRAME|WORK: A Māori cloak

FRAME|WORK is a weekly blog series that highlights an artwork in the Museums' permanent collections. This week, we feature an exemplary Māori cloak from the Museums’ inaugural collections (currently on display at the de Young) in honor of the October Artist-in-Residence, Māori weaver Glenda Joyce Hape.

“Invisible Passage” at the de Young

Commissioned by the de Young Museum’s Cultural Encounters Program during Todd Brown’s July 2009 tenure as Artist-in-Residence, Invisible Passage is now back on display in the Kimball Education Gallery as part of his current Artist Fellows project. The painting, measuring 33 feet by 9.5 feet, is Brown’s largest work to date.

Todd Brown working on Invisible Passage in July 2009

Artist Fellows Showcase featuring Campo Santo, Nefasha Ayer, and Short Films by Kevin Epps

On July 8, visitors who attended Friday Nights at the de Young had the chance to experience the Artist Fellows Showcase, which featured contributions from the first class of Artist Fellows: Campo Santo, Kevin Epps and Todd T. Brown.

Joe Cunningham at Discarded to Divine 2011

Visitors to the Artist Studio (Kimball Education Gallery) may remember the charming textiles artist Joe Cunningham and “Joe’s Quilt Shop.” Joe has long been a favorite of the Bay Area quilting world, and in March 2010, he took up residency in the Artist Studio, taught visitors how to quilt, regaled us with clever ballads, reversed the stereotype that men don’t quilt, and impressed us with his works, including Bend in the River, which was acquired by the de Young.  Now, he returns to the Museum as part of the ann

Lastest news from Corinne Okada Takara, December 2008 Artist-in-Residence

Corinne Okada Takara completed a residency in the Kimball Education Gallery two years ago.  Her project, Rhythms in Space, explored the assembly of recycled materials into airy three-dimensional tapestries and wearable art, while presenting a visual footprint of diverse cultures in the Asian diaspora.  She pulled various motifs from the museum collection, along with visual patterns observed in the museum's surroundings.  Visitors created tapestries from these images using wire, netting, and other recycled materials. 

Introduction of September Artists-in-Residence by Gregory Stock, Education Intern

Generally the de Young’s artist studio is the home of one artist and their process. Museum patrons can engage in a specific artist’s technique and area of expertise. For the month of September, four artists of the Kearny Street Workshop (www.kearnystreet.org <http://www.kearnystreet.org> ) transform the Kimball Education Gallery. Throughout the month, one to four artists will be involving the public in their different processes.

"Silhouettes and Conversations with Alexandra Blum, August Artist-in-Residence" by Naomi Huth, Education Intern

On August 19th, I sat down with current Artist-in-Residence, Alexandra Blum, to learn more about her artistic background and the connection between teaching and creating art. Ms. Blum strives to humanize the private expereince by bringing in different techniques that transform museum going into a shared technique.

(Naomi Huth currently works as an intern for the Public Programs Department at the de Young.)

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