Friday Nights at the de Young feature special lectures related to current exhibitions at the de Young. This Friday, July 22 Kieran Ridge presents "Picasso and Modern Literature: Liquid Architecture of the Palace of Marvels," a discussion of Picasso as a writer and the influence of contemporary authors and literature in his art. This is the first of three lectures presented in partnership with Alliance Française in celebration of Picasso: Masterpieces from the Musée National Picasso, Paris.
Mr. Ridge is chair of the English Department at The Marin School, where he teaches literature and film studies. To pique your interest in this fascinating subject, we have asked Mr. Ridge to answer a few questions about Picasso, the writer!
Last week, we followed Six-Sided Planes into the photgraphy studio where it was shot for record identification. Today we learn about the history and significance of this painting from the curatorial perspective.
My name is Emma Acker, and I’m a curatorial assistant in the American Art department at the Fine Arts Museums. In May of this year, I presented Balcomb Greene’s Six-Sided Planes as a potential purchase to the Acquisitions Committee of our Board of Trustees.
FRAME|WORK is a weekly blog series that highlights an artwork in the Museums' permanent collections. This week, we feature a powerful Civil War-era photograph from The Album of the Lincoln Conspiracy. This work is currently not on view, so we have provided an exclusive online viewing!
Now that the Board of Trustees has approved the purchase of Balcomb Greene's Six-Sided Planes and it has been permanently accessioned into the Museums' collection, the next step is to make identification photography of the artwork. This photo will be used for internal recordkeeping on the collections management database and the website.
After Six-Sided Planes received its makeover in the paintings conservation lab, it was transported to the Legion of Honor for review during the full Board meeting (there are several sub-committee Board meetings that take place throughout the year).
FRAME|WORK is a weekly blog series that highlights an artwork in the Museums' permanent collections. This week, we feature the iconic Boatmen on the MIssouri by George Caleb Bingham, currently on view in Gallery 23 at the de Young.
"Will Work for Art" takes you behind the scenes to meet the people who make the Fine Arts Museums work. This week we take you into the graphic design department, where all of the visual material associated with the Museums (except the art, of course) is created. Originally from Columbus, Ohio, Brandon Ballog is a junior graphic designer who has been with the Museums for almost three years.
FRAME|WORK is a weekly blog series that highlights an artwork in the Museums' permanent collections. This week, we feature a spectacular obsidian ceremonial knife from Mesoamerica on display at the de Young.
Last week Balcomb Greene’s Six-Sided Planes made its first entry into the Museums and the acquisitions process via the registration department. This week, the painting heads upstairs to the paintings conservation lab for a little makeover.
My name is Elise Effmann and I’m an associate paintings conservator at the Fine Arts Museums. Conservators are entrusted with the care, treatment and technical study of artworks in the collection. When a painting comes to the Museums as a proposed acquisition, our department must examine it to provide the curators with information about how it was made, and to determine if there are any potential problems with the acquisition due to its condition.