On July 15th, I sat down with current Artist-in-Residence, Jeanine Briggs, to learn more about her artistic background, the journey and inspiration behind her found object artwork, and the ideas that created the participatory project of an early 21st-century Detritussaurus. Appearing in galleries, museums, public spaces, trade shows, corporate collections, and government offices, her work has been exhibited extensively in California and in New York City.
Visitors to the exhibition Birth of Impressionism: Masterpieces from the Musée d'Orsay can get a look at one of the Fine Arts Museum's newest acquisitions, The Absinthe Drinkers (Les buveurs d'absinthe), 1881, by Jean-François Raffaëlli (French, 1850–1924). The Absinthe Drinkers is widely regarded as among Raffaëlli's most important and accomplished paintings. It can be viewed at the entrance to Birth of Impressionism this summer, but will eventually take up permanent residence in the Legion of Honor's gallery 19.
Although not counted among the Impressionists, the Realist Raffaëlli nonetheless exhibited The Absinthe Drinkers (at the invitation of Degas, who sought to increase the number of figural painters involved) at the sixth Impressionist group show in 1881.There it caused a sensation due to its gritty imagery and portrayal of the devastating effects of addiction to the potent drink absinthe.
Out past the lines
Poems from the residencyKim Shuck
Walking into the Kimball Education gallery this month, a visitor might experience a childhood flashback of placing collector cards in the wheel spokes of your first bike, or scenes from Pixar’s recent film, WALL-E. In Jeanine Briggs' Transfigurations, the artist-in-residence incorporates trash and found materials in a variety of forms including small characters, masks, and full body representations.
One guest during my residency mentioned that he liked the larger canvas of a vest better than, say, a small pouch. I think I smiled and nodded at the time. It was towards the end and my desire to take up each and every teachable moment had waned somewhat. I've slept some now so: I don't make my work for entirely decorative reasons.
On the way past the bandshell I noticed that the puddle the squirrels were drinking out of yesterday had dried up. Fog all gone... It's quite hot actually.
The various animals didn't come around today. There were human visitors of varying sorts. I'm embarrassed to admit the major focus of the day. It wasn't profound. Mostly just feathers.
It's been a long month and my brain is getting sluggish. Fortunately there were many people I liked around today.
Another magical foggy day. This time with tomatoes and raspberries. Well, that and my first official day without Mr. Horse. I knew it was going to be difficult so I brought fruit. Fruit and Knopfler and Clapton... I also had Intern Extrordinaire Mlle. Megan. Bob the sitting ball was there too. Life could have been harder. Still... even with all of that and the buffalo hunt on the wall... it was slightly difficult. I'm a creature of habit.
On June 18th, during the Cultural Encounters evening event, I sat down with current artist-in-residence, Michael Horse, to find out more about his background and artistic influences. Born near Tucson, Horse is of Yaqui, Mescalero Apache, Zuni, European, and Hispanic descent and comes from an artistically talented family of jewelers, potters, and painters. Not only is he a talented jeweler and painter, but he is also an actor and stuntman who has appeared in many movies including Twin Peaks, Passenger 57, Lakota Woman, and Smoke Signals.