Picasso was perhaps the greatest innovator of twentieth-century art. The power of Picasso’s invention, however, was deeply influenced by sources from across the art historical spectrum. Chief among these was African art. Drawing upon myriad stylistic resources, Picasso created new modes of expression. The development of this multifaceted artistry is illustrated in several works featured in Picasso: Masterpieces from the Musée National Picasso, Paris at the de Young through October 9.
Last week, the Legion of Honor received a special visit from Berkeley High School’s Latin class. This group of thirty-seven seniors took time out of the final, hectic days of high school to see Marvelous Menagerie: A Roman Mosaic from Lod, Israel, which has served as their muse for the past several weeks.
Friday Nights at the de Young feature special lectures related to current exhibitions at the de Young. This Friday, June 24, Public Programs presents Picasso, Our Contemporary by Dakin Hart in conjunction with Picasso: Masterpieces from the Musée National Picasso, Paris. Hart will discuss elements of Picasso's life and practice after World War II that suggest he may have become interested in what has come to be recognized as contemporary art practice, such as identity performance, the use of sculpture as a bridge between art and life and frank treatments of sex. Dakin Hart began his museum career as assistant to the director of the Fine Arts Museums of San Francisco and is currently working as an independent curator and writer in New York while finishing his Ph.D. at the Institute of Fine Arts.
Mr. Hart has graciously answered a few questions for us in preparation for this intriguing lecture!
Friday Nights at the de Young feature lectures related to current exhibitions at the de Young. This Friday, June 17, Public Programs presents Spaniards in France: Cristóbal Balenciaga and Pablo Picasso, a lecture by Dr. James Housefield, a scholar of modern art and design at U.C. Davis. In preparation for this fascinating lecture, Dr. Housefield has graciously answered a few questions to pique your interest!
Museums, like the artworks they house, are constantly evolving. Expanding collections and audiences, outdated facilities, natural phenomena (like earthquakes), or changing building codes can all contribute to a museum’s decision to shutter its doors for lengthy renovations. One museum’s closure, however, is another's golden opportunity, as in the case of this museum! The de Young has recently benefitted from two important museum renovations in Paris: first, the Musée d’Orsay sent us two major exhibitions during its expansive renovations (Van Gogh, Gauguin, Cézanne, and Beyond and Birth of Impressionism) and now the Musée National Picasso brings us Picasso: Masterpieces from the Musée National Picasso, Paris opening this Saturday, June 11.
Visitors to Balenciaga and Spain (on view at the de Young through July 4) will immediately notice something different about this installation: music! Melodic notes of Spanish guitar waft through the galleries and draw the viewer further into the exhibition, culminating in the section of the show devoted entirely to the influence of dance. The drama of Spanish dance traditions inspired Balenciaga and can be seen throughout his designs; we hope that the music included in the exhibition does the same for you!
The art of Isabelle de Borchgrave is in itself a type of recycling. Inspired by sumptuous costume and textiles from the past, de Borchgrave recreates some of history’s most iconic fashions in the surprising medium of paper. Pulp Fashion: The Art of Isabelle de Borchgrave, on view at the Legion of Honor through June 12, displays paper outfits derived from those seen in European paintings, museum collections, photographs, sketches and even literary descriptions. De Borchgrave’s art practice seems particularly relevant in today’s conservation-minded climate in which “recycle and reuse” has become a mantra for artists and fashionistas alike.
Paper fashion was not always associated with such principled objectives. In the late 1960s, when de Borchgrave was just beginning her career, paper dresses captured the cultural zeitgeist not only for their pithy design and novelty, but specifically for their disposability.
"Will Work for Art" takes you behind the scenes to meet the people who make the Fine Arts Museums operate. Steven F. Correll is a Registrar who literally makes the "scene" possible by organizing and tracking artwork as it moves through the Museums. Originally from San Diego, CA and Ponca City, OK, Steve has been with the Museums for 4 years.
In 1996 construction workers accidentally uncovered a mosaic while widening a road in the modern Israeli town of Lod, near Tel Aviv. A preliminary excavation immediately conducted by the Israel Antiquities Authority (IAA) revealed that three feet below the modern surface there was a mosaic floor dating to about AD 300. The three most complete and impressive panels from the floor are on view at the Legion of Honor through July 24.
Come celebrate Mother’s Day with the mother culture of Mesoamerica—the Olmec!
It seems fitting that the last opportunity to visit our exhibition on the Olmec is this Mother’s Day, Sunday, May 8th. Often referred to as the “mother culture” of Mesoamerica, the Olmec were a lasting influence on Mesoamerican art, culture and civilization. And, like any good mom, their influence is clear in the subsequent, or epi-Olmec, cultures that came after them. Come celebrate with your mom, and make sure to visit the handful of female representations that are here with the exhibition.