Installation of Japanese Books in the Reva and David Logan Gallery of Illustrated Books
Go behind the scenes at the Legion of Honor as paper conservators prepare and install 37 rare Japanese books for the exhibition Aspects of Mount Fuji in Japanese Illustrated Books from the Arthur Tress Collection.
Hokusai, Untitled (Fuji Seen from Above the Waves), [detail] from the book
One Hundred Views of Fuji, 1835. Collection of Arthur Tress.
Utagawa Hiroshige, Fuji seen through cherry trees, in the book
One Hundred Views of Fuji (Fujimi Hyakuzu), 1859. Collection of Arthur Tress.
The Chinese artist Shi Guorui produced this photograph of the Donner Pass by creating a pinhole camera obscura. The photographic method is just like the oatmeal container pinhole camera you might have made in grade school, but on a much larger scale. The artist put a single small hole in the side of an otherwise light-sealed semi-trailer truck. The light rays passed through this small hole forming an inverted image on a long, curved sheet of sensitized photographic paper. We were told that the artist meditated during the hours-long exposure time.
At 4 feet 2 inches x 17 feet 2 inches, Donner Pass is one of the largest photographs in the Museums’ collection. Due to its unique size, installation required much advanced planning to come up with a method of hanging that was not only safe for the photograph, but also met the visions of the artist and curators. As the artist preferred the immediacy of the uncovered photograph placed directly on the wall, a tailored system of hinging materials and frame installation methods was devised by the paper conservation laboratory to safely meet this vision.
After much preparation, the day of installation had arrived.
In 2005, Bay Area artist Kay Sekimachi gifted the museum a seminal work, a miniature book—The Wave. The Wave comes from her series of accordion books that were inspired by the Japanese artist Hokusai prints from his own series Hundred Views of Mt. Fuji. Woven in natural linen, Sekimachi used a painted-warp technique to imprint the repetitive pattern of the wave on the book’s covers and pages and a double-weave technique to create the accordion folds. The meditative quality of Sekimachi’s work belies the complexity of her techniques. Her work reflects a combination of influences— from the Japanese aesthetic comes her purity of form and reverence of nature and from her early Bauhaus training the control of geometry and symmetry, as well as, the exploration of the double-weave technique.
Jill D'Alessandro, Curator, Textile Arts
This past Monday, September 27, Fine Arts Museums of San Francisco director John Buchanan and Musée d'Orsay president Guy Cogeval appeared once again on KQED's popular Forum radio program.
Visitors to the exhibition Birth of Impressionism: Masterpieces from the Musée d'Orsay can get a look at one of the Fine Arts Museum's newest acquisitions, The Absinthe Drinkers (Les buveurs d'absinthe), 1881, by Jean-François Raffaëlli (French, 1850–1924). The Absinthe Drinkers is widely regarded as among Raffaëlli's most important and accomplished paintings. It can be viewed at the entrance to Birth of Impressionism this summer, but will eventually take up permanent residence in the Legion of Honor's gallery 19.
Although not counted among the Impressionists, the Realist Raffaëlli nonetheless exhibited The Absinthe Drinkers (at the invitation of Degas, who sought to increase the number of figural painters involved) at the sixth Impressionist group show in 1881.There it caused a sensation due to its gritty imagery and portrayal of the devastating effects of addiction to the potent drink absinthe.
Yesterday morning FAMSF director John Buchanan and Musée d'Orsay president Guy Cogeval discussed the exhibition Birth of Impressionism: Masterpieces from the Musée d'Orsay, which opens at the de Young Museum tomorrow, May 22, 2010.
In case you missed what some commenters are calling "the best Forum episode ever", you can stil listen online. In fact, we've embedded it in this very blog post! You can access it after the jump.
Birth of Impressionism runs through September 6, 2010. Later on that month, the de Young will host a follow-up show, Van Gogh, Gaugin, Cézanne and Beyond: Post-Impressionist Masterpieces from the Musée d'Orsay. That exhibition opens September 26 and runs through January 18, 2010.
In celebration of the final days of Tutankhamun and the Golden Age of the Pharaohs, we present an interview with Alameda resident Peter Solmssen about his work with the original King Tut exhibition in the 1970s.
During that time, Mr. Solmssen served in the State Department as deputy ambassador-at-large for cultural affairs, and played an instrumental role in bringing Treasures of Tutanhkamun to the United States.
FAMSF presents Amish Abstractions: Quilts from the Collection of Faith and Stephen Brown in the Caroline and H. McCoy Jones Textile Gallery at the de Young. The exhibition, which runs through June 6, 2010, features 48 full-size and crib quilts that showcase the diversity of the Amish quilt tradition. As an exhibition supplement, the textile education gallery is devoted to quilts and visitors of all ages are invited to create their own quilt patterns using wooden blocks.
Our newest podcast features FAMSF curator of ancient art and interpretation Renee Dreyfus, who talks about the 1979 Treasures of Tutankhamun exhibition and the current Tutankhamun and the Golden Age of the Pharaohs. Renee was on the curatorial team for the first Tut exhibition 30 years ago, and now heads up the FAMSF curatorial efforts for the current offering.