Throughout art history, the muse has played a central role in the artist’s process. The modern art muse has found its most frequent embodiment in women, from Victorine Muerent to Camille Claudel to Kiki de Montparnasse to Marie-Therese Walter (and the numerous other women portrayed by Picasso). Female muses have been both model and artistic catalyst to their typically more famous male collaborators, even though their own creative production is often considered of equal value. Lee Miller, one of the subjects of the special exhibition Man Ray | Lee Miller: Partners in Surrealism (on view at the Legion of Honor through October 14), has long been pigeonholed as Man Ray’s muse. But, as this exhibition reveals, Miller’s relationship with Man Ray was only the beginning of her journey from muse to master.
In 1972, Chuck Close came to Oakland’s Crown Point Press with the express goal of mastering the art of printmaking. The special exhibition currently on view in the Anderson Gallery at the de Young Museum, Chuck Close and Crown Point Press: Prints and Processes , examines this groundbreaking period in the artist’s career. In an earlier post, we discussed the mezzotint print Keith in the context of its 40th anniversary. Today, we take a closer look at Chuck Close’s Self-Portrait, completed in 1977.
For the past two weeks, the world watched athletes from the world over compete and triumph in the 2012 Olympic Games. Meanwhile, museums the world over competed on Twitter in the tongue-in cheek competition #MuseumOlympics, which originated right here in San Francisco. Willa Köerner, digital engagement associate at SFMOMA and today's g uest blogger, takes us behind the scenes of #MuseumOlympics and reveals the origins of what will surely become a new quadrennial tradition.
In 2010 longtime trustee Denise Fitch gave the Fine Arts Museums of San Francisco an extensive collection of drawings by her first husband, artist René Bouché (1905–1963). Bouché—who contributed illustrations to esteemed publications such as Vogue and Time Magazine—is the subject of the special exhibition René Bouché: Letters from Post-War Paris at the Legion of Honor. Friends with both Man Ray and Lee Miller, Mrs. Fitch and René Bouché led rich lives that sparkled with art, culture, humor, and glamour.
Here at the de Young, we know Gregory Stock as “Mr. Friday Nights,” but he used to be an elite collegiate swimmer. As we enter the final week of the 2012 Summer Olympics in London, Gregory shares with us some of his favorite Olympic memories.
As a young competitive swimmer, my adolescence consisted of waking up early for practice before school, spending hours training in the pool, perfecting my technique, and focusing on the ultimate goal of touching the wall first.
The Olympic canoe sprint, an event that starts on August 6, looks pretty weird when you think about it: human beings wrapped in brightly colored fabrics, sitting in little plastic shells, racing on a simulated river. It would have looked even weirder to the ancient Greeks. The first Olympic event was actually pretty simple, the stadion: a foot race of exactly one stade, which was a length of about 180 meters. It was run naked, it was over in less than a minute, and nobody capsized. The ancient Olympics did include some pretty weird sports however, and Gifts From the Gods: Art and the Olympic Ideal, currently on view at the Legion of Honor, exhibits several ancient coins depicting some of the oddest ones.
As millions watch the Summer Olympics opening ceremony this Friday, July 27, the best athletes in the world will officially open the Games of the XXX Olympiad. The next day, Saturday, July 28, Gifts from the Gods: Art and the Olympic Ideal opens at the Legion of Honor. Like the opening ceremony, and the Games themselves, this exhibition celebrates athletic
Museum visitors currently have the opportunity to look inside a rare treasure normally kept locked in dark storage. Marcel Duchamp: The Book and the Box, currently on view in the Logan Gallery at the Legion of Honor, features Duchamp’s iconic artwork, Boîte en Valise, which was made in the late 1930s.
The special exhibition Man Ray | Lee Miller: Partners in Surrealism opens tomorrow at the Legion of Honor. Earlier this summer, Julian Cox sat down with the San Francisco Arts Quarterly’s John Held, Jr. to discuss the photography of Man Ray and Lee Miller, their mutual invention and artistic discovery, and the stormy, but inspired, relationship that ultimately lasted a lifetime. Read the complete interview in issue 10 of the SFAQ print edition on August 3.
De Young Artist Fellows Andy Diaz Hope and Laurel Roth are artists-in-residence this month in the Artist Studio. They are working on completing the third monumental tapestry in their triptych entitled The Conflicts. Today, guest blogger Andy Diaz Hope discusses aspects of the Museums’ permanent collections that touch on the themes contained in this project.