One of the most exciting aspects of working in paper conservation at the Legion of Honor is the variety of objects encountered on a daily basis. When working on a 17th-century print, for example, conservation intern Laura Neufeld faced many traditional paper conservation challenges. Pier Gustafson’s Father’s Suitcase, on the other hand, is a one-of-a kind artwork that required unique treatment solutions.
Legion of Honor
Almost as soon as the Salon Doré was de-installed from Gallery 11 late last year, the comprehensive conservation and restoration project began (and continues today in full view of the public in Gallery 13). Before a single component of the room was removed, however, months of planning and research went into readying the Salon Doré for this massive undertaking.
The special exhibition Rembrandt’s Century, currently on view alongside Girl with a Pearl Earring: Dutch Paintings from the Mauritshuis, is striking both in its breadth and for the fact that the works on view all come from the Fine Arts Museums’ permanent collections. Preparations for this exhibition were lengthy, with some works requiring restoration treatments.
As the digital media interpretive media fellow at the de Young and the Legion of Honor, my primary role is to digitally document and interpret the yearlong project The Salon Doré: The Conservation of a Period Room, currently underway at the Legion of Honor.
Consisting of approximately 250 artworks, Rembrandt’s Century presents a diverse picture of the art and personalities that defined the Dutch Golden Age. Drawn entirely from the Museums’ permanent collection of works on paper in the renowned Achenbach Foundation for Graphic Arts, this exhibition required months of preparation. Curators, conservators, and art technicians worked together to frame—both literally and figuratively—this important selection of masterworks.
Like or not, the holiday gift-giving season is upon us, the time of year we begin making a list and checking it twice. It’s a good thing that Christmas and Hanukkah only come around once a year, what with all the stress gift selection causes. In 17th- and 18th-century France, however, the fine art of gift giving was a yearlong endeavor.
Thanksgiving is the time when you get to use all the best stuff in your kitchen: the gravy boat, the fancy napkins, and, of course, the turkey deep fryer. Louis XIV and the other French monarchs who succeeded him obviously didn’t celebrate Thanksgiving, but they did bring out the good stuff when setting the table. Some of the objects in Royal Treasures from the Louvre: Louis XIV to Marie-Antoinette, open through March 31, 2013 at the Legion of Honor, are examples of these items; they’re just like the things you set your table with, but with a “royal” twist.
You’ve probably moved past the first dining room set that you bought off Craigslist, but no matter how nice your table is, you likely didn’t have it custom-made to feature your royal markings. Louis XIV’s mosaic tabletop is made of semi-precious stones and features, among other things, some of his official emblems, like the lyre of Apollo and fleurs-de-lis. It was made by the Gobelins manufactory, a workshop responsible for many of the objects used to decorate Versailles and the other royal residences.