Public programs

The Wild Woman of Jazz

Composer, trumpeter and singer-songwriter Sarah Wilson technically grew up in a vineyard, but her coming of age as a musician took place in New York City. At her first performance as an Artist Fellow at the de Young tomorrow, Friday, May 25, Wilson presents new work inspired by both the rolling hills of the Napa Valley and New York City’s wild women of jazz.

Wilson began her yearlong fellowship last November with a 10-day residency at Stags’ Leap Winery, where the vineyards—their colors and moods—served as muse for the new compositions Night Still and Color, both of which will be featured in tomorrow’s performance.

Stags' Leap

Photo by Sarah Wilson

Music, Muses and Divas in the Art of the Victorian Avant-Garde

Tomorrow, May 12, 2012, the Legion of Honor presents Music, Muses and Divas , public programs associated with The Cult of Beauty: The Victorian Avant-Garde, 1860–1900 (on view through June 17). Premier scholars of Victorian art Tim Barringer and Peter Trippi lecture on the complmentary topics of music and theater in the context of the Aesthetic Movement. We asked our lecturers a few questions about their respective talks to provide insight into the day’s presentations.

Saint Cecilia

John William Waterhouse, Saint Cecilia, 1895, oil on canvas. Private Collection

Our People, Our Queen

Today’s guest blogger is 2012 de Young Artist Fellow Monique Jenkinson (aka Fauxnique). During her yearlong fellowship, she is focusing on the Museums’ costume and textiles collection, particularly the work of Jean Paul Gaultier as represented in the special exhibition The Fashion World of Jean Paul Gaultier: From the Sidewalk to the Catwalk (on view at the de Young through August 19). This Friday Night at the de Young, April 27, Jenkinson presents Making Scenes, a curated evening that includes a new dance/installation piece entitled Our People, inspired by the work of Gaultier—his icons, his fetishes and his light-hearted, humanistic irreverence. Here she shares with us the creative process behind the making of Our People.

Monique for Our People

Monique in costume for Our People. Photo courtesy of Arturo Cosenza

Discarded to Divine at the de Young!

From his earliest forays into fashion design, Jean Paul Gaultier utilized surprising and sometimes recycled materials. As a child, inspired by his grandmother’s corset, Gaultier repurposed crumpled newspaper to create the conical-shaped falsies that he attached to his beloved teddy bear, Nana. Entering its seventh year, Discarded to Divine—an event that auctions off designer duds made from donated clothing to benefit the homeless—exemplifies Gaultier’s earliest instincts to recycle with style and purpose.

Closing Weekend for March Artist-In-Residence Joy Broom

For the past month, March Artist-In-Residence Joy Broom has been creating extravagant, multilayered, three-dimensional specimen boxes. Combining her intricate line drawings of organic elements with actual insects, seed pods, branches, body references, antique maps and biological medical sources—all covered with purified beeswax—she presents a unique cabinet of curiosities that provide further reflections of the broader natural universe.

Friday Nights at the de Young Are Back!

What do Jean Paul Gaultier, Lady Gaga, Don Draper and Frida Kahlo all have in common? They're all themes featured in Season Eight of Friday Nights at the de Young. After a four-month hiatus, the de Young opens Season Eight tonight, Friday, March 30, with a bigger than ever community party celebrating The Fashion World of Jean Paul Gaultier: From Sidewalk to Catwalk .

A Conversation About Corsets

If there is one article of clothing associated with the Victorian Era, it is the corset. This Sunday, March 11, we continue our exclusive series of public programs for The Cult of Beauty: The Victorian Avant-Garde, 1860–1900 with Visions of Beauty—Inside the Victorian Artists Salon, presented in partnership with Dark Garden Corsetry and the Pre-Raphaelite Brotherhood Artist Salon. We recently sat down with Autumn Adamme, the owner of Dark Garden and your guide to all things corseted, to discuss this controversial fashion icon.

Dark Garden black dress

Photo courtesy of Dark Garden

Museum Without Walls: Sarah Wilson and Catch Me Bird Go Off the Walls

The blog series Museum Without Walls features de Young Artist Fellows working outside of the museum with other artists and local, community based arts organizations. In this edition, we catch up with Sarah Wilson and Catch Me Bird at their Djerassi alumni artist residency where they gave us a glimpse into the early stages of their creative process.

A History in Heels: Monique Jenkinson (aka Fauxnique) at the de Young

Monique Jenkinson (aka Fauxnique), a 2012 de Young Artist Fellow, is currently working in an open process format in the Kimball Education Gallery. The fundamental goals of the yearlong Artist Fellows program are to support work by artists both inside and outside of the museum, and to foster long-term relationships with those artists and their collaborating partners. In some cases, the foundation for this relationship has been long established through programs such as Friday Nights at the de Young. Case in point: Monique Jenkinson, dancer and performance artist.

Fauxnique_GG

Photo by Michelle Blioux

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