Another magical foggy day. This time with tomatoes and raspberries. Well, that and my first official day without Mr. Horse. I knew it was going to be difficult so I brought fruit. Fruit and Knopfler and Clapton... I also had Intern Extrordinaire Mlle. Megan. Bob the sitting ball was there too. Life could have been harder. Still... even with all of that and the buffalo hunt on the wall... it was slightly difficult. I'm a creature of habit.
On June 18th, during the Cultural Encounters evening event, I sat down with current artist-in-residence, Michael Horse, to find out more about his background and artistic influences. Born near Tucson, Horse is of Yaqui, Mescalero Apache, Zuni, European, and Hispanic descent and comes from an artistically talented family of jewelers, potters, and painters. Not only is he a talented jeweler and painter, but he is also an actor and stuntman who has appeared in many movies including Twin Peaks, Passenger 57, Lakota Woman, and Smoke Signals.
You may be in for a fun day when you find a hawk feather coming in to work. You may be in for a fun day when your first visitor in the studio asks great questions and listens to the answers. It's been a fun day when a mom tells you that you 'made everyone happy' with some oil pastels and butcher paper (grinning kids and interesting drawings and all).
Ok, so we aren't always brilliant are we?
We only had a very few folk in today, so we both got a good deal of work done and talked about bad Native themed movies. Well, we talked about different kinds of movies, but we talked most about what I call 'Bad Indian Movies'. These would be films with glaring cultural errors, stereotypes or other faux pas. It was a hoot.
Last Friday I did a poetry reading elsewhere, so I had not yet experienced the gallery on a Friday evening. Wow. Just wow.
After questions about my background, my religion and alternately about my inspiration and vision, the most commonly asked question I've had in the gallery so far is 'How did you learn to do this stuff?' I'm sure that other Native artists have other answers to that question but here is a bit of an answer for me. I use a number of different beading techniques in my work. In order of most to least common as of this week: bead applique, flat peyote stitch, flat round peyote stitch, cheyenne brick stitch and loomed beading. Now to take them utterly out of order...
Someone asked me today where I got my beads. I have two stores I like to order from online. I have one place I like to go and poke through. I have a serious bead collection myself. When community members see me bead they often donate things they think I'll like. Finally, I am often given collections of beads from people who have passed. None of this helps the fact that seed beads come in certain colors and not really others. Glass is a picky substance.
June 4—A second foop
A few years ago I was given a set of meditation bells in a rosewood box. You were meant to tip the box over and some number of ball bearings inside would adhere to these sticky disks on the top of the box. Then when you flipped it back over the balls would gradually fall in varying patterns of sound. The reality was that you'd get the balls stuck and flip the box and about half of the balls would fall in one foop (foop here meaning flurry) then some time later another foop and so forth. I have not tipped that box in over a year but there are still some hold out bearings that every so often release and sound a bell. That happened this morning. I also got damp basement that had to be dried immediately. Today was pretty interesting, even before I got to the museum. I suppose that everything informs the work eh? So we had a massive foop on tuesday moving in, now we've had another foop. I imagine that at this point the balls fall more slowly.