Blog Category: de Young

The Bust in the Bog

Olmec bustOne of the rarest pieces in our Olmec exhibition at the de Young is a carved human bust made of a tropical variety of cedar tree. Over three thousand years old, the bust has survived this long because it was buried at the bottom of a freshwater bog for most of its life.

Archaeologists believe it was placed in the bog, along with thirty-six other busts, by the Olmec as part of a large offering, probably in response to a long-term problem facing the community, such as a flood or drought. The busts were bundled in vegetable mats and buried along with other objects of high value—some of which are also  in the exhibition.

Researchers think the Olmec chose the spring, named El Manatí for a nearby hill and the manatees that were abundant in the area, as a site for important offerings because it represented a culmination of important elements. The Olmec believed water and mountains were imbued with sacred qualities, including fertility, and saw tall hills both as a meeting point between the earth and the sky and as “mansions of the rain god.” The area was also abundant in hematite, an iron-rich red pigment that researchers believe the Olmec associated with blood.

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Portraits of George Washington for Presidents’ Day

George Washington

Rembrandt Peale (American, 1778–1860), George Washington, ca. 1850.
Oil on canvas. 53.15.1

Presenting the first blog post by communications intern Gauthier Melin.

Next Monday, the United States will celebrate Presidents’ Day, which takes place every year on the third Monday of February. This federal holiday is intended to honor all American presidents, and especially George Washington (1732–1799). On this occasion, FAMSF would like to highlight one of the most famous portraits of the first president of the United States from their collection.

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Not Your Average Picture: Installation of a 17-foot Photograph

Shi Guorui photograph

The Chinese artist Shi Guorui produced this photograph of the Donner Pass by creating a pinhole camera obscura. The photographic method is just like the oatmeal container pinhole camera you might have made in grade school, but on a much larger scale. The artist put a single small hole in the side of an otherwise light-sealed semi-trailer truck.  The light rays passed through this small hole forming an inverted image on a long, curved sheet of sensitized photographic paper.  We were told that the artist meditated during the hours-long exposure time.

At 4 feet 2 inches x 17 feet 2 inches, Donner Pass is one of the largest photographs in the Museums’ collection. Due to its unique size, installation required much advanced planning to come up with a method of hanging that was not only safe for the photograph, but also met the visions of the artist and curators. As the artist preferred the immediacy of the uncovered photograph placed directly on the wall, a tailored system of hinging materials and frame installation methods was devised by the paper conservation laboratory to safely meet this vision.  

After much preparation, the day of installation had arrived.  

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In the Galleries: Robert, Calvin, Martha, and William Scott and Mila (ca. 1843–1845)

Robert, Calvin, Martha, and William Scott and Mila, ca. 1843–1845

Regulars to the permanent galleries at the de Young will notice a new addition to Gallery 23 on the upper gallery level—the anonymous painting titled Robert, Calvin, Martha, and William Scott and Mila, ca. 1843–1845. The painting depicts the children of Reverend William Anderson Scott (1813–1885), a Presbyterian minister in New Orleans from 1842 to 1854. The spire of the First Presbyterian Church where Dr. Scott was pastor is visible at the center of the city’s skyline.

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An interview with Dan Taulapapa McMullin, October Artist-in-Residence

What is your background as an artist?

My father's family (in Leone Village, Tutuila Island, US Territory of American Samoa) were architects, shipbuilders, and tapa (barkcloth) painters, also my grandmother and great grandmother on my mother's side were tapa painters and I used to help them when I was a small boy in Samoa.  As a young man I studied conceptual art at Cal Arts for a couple years but was disenchanted and ended up working in television in Los Angeles for years.  About seven years ago I began painting again while living in Samoa and living on money from a script I wrote.  Since then I'm in love with painting and its my life long work now.

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John Buchanan and Guy Cogeval Discuss Post-Impressionism on KQED's Forum

Starry Night Over the Rhone by Van GoghThis past Monday, September 27, Fine Arts Museums of San Francisco director John Buchanan and Musée d'Orsay president Guy Cogeval appeared once again on KQED's popular Forum radio program. This time they discussed Post-Impressionism and the exhibition Van Gogh, Gauguin, Cézanne and Beyond: Post-Impressionist Masterpieces from the Musée d'Orsay, on view at the de Young through January 18, 2011.

If you missed their live appearance earlier this week, fret not. Although you can't phone in or email with our questions, you can listen to Monday's segment on KQED's Forum audio archive. In fact, the episode is embedded below in this blog post for your listening convenience (after the jump).

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