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Stella!!!

Posted by Sarah Bailey Hogarty on April 25, 2013

Step into Gallery 14 at the de Young and you will immediately encounter the riot of geometric color that is Frank Stella’s impressive 12-foot-square painting, Lettre sur les aveugles II (1974). This vibrant new acquisition represents the first of Stella’s paintings to enter the permanent collection of the Fine Arts Museums of San Francisco.

Frank Stella's Lettre sur les aveugles II, 1974

Frank Stella (American, b. 1936). Lettre sur les aveugles II, 1974. Synthetic polymer paint on canvas. Museum Purchase, Phyllis C. Wattis Fund for Major Accessions. 2013.1

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Gilding the Salon Doré

Posted by Sarah Bailey Hogarty on April 8, 2013
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A Message from the President

Posted by FAMSF Administrator on March 18, 2013

Diane B. WilseyAs an extensive national search to find a new director draws to a close, we look forward to making a public announcement soon. As we prepare to embark on the next chapter of our long history it’s a good time to reflect on the amazing success we’ve experienced over the past several years.

The Fine Arts Museums of San Francisco (FAMSF)—which comprises the de Young and the Legion of Honor—is one of the most successful organizations of its kind in the world. We operate under the highest standards of governance. It is because of our high standards that we are a flourishing art institution that continues to exceed expectations both financially and artistically.

Our organization is among the largest and most respected art institutions in the country. Due to the efforts of our talented staff and dedicated Board of Trustees, we have been able to bring to San Francisco some extraordinary exhibitions such as:

  • Tutankhamun and the Golden Age of the Pharaohs
  • Birth of Impressionism: Masterpieces from the Musée d’Orsay
  • Van Gogh, Gauguin, Cézanne and Beyond: Post-Impressionist Masterpieces from the Musée d’Orsay
  • Girl with the Pearl Earring: Dutch Paintings from the Mauritshuis
  • And, coming in 2013, David Hockney: A Bigger Exhibition

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The Salon Doré: De-installing a Period Room

Posted by Sarah Bailey Hogarty on February 6, 2013

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The Salon Doré: Conservation of a Period Room

Posted by Sarah Bailey Hogarty on January 22, 2013

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Have Turban Will Travel

Posted by Sarah Bailey Hogarty on November 7, 2012

Objects are fussy. They’re susceptible to humidity, light levels, vibrations, and any number of other dangers, both large (floods) and small (mice). And whether it’s a tiny tea cup or a four-ton bronze statue, each object also has its own idiosyncrasies. Wood, for example, doesn’t get along with water, and paper can’t stand light. A museum is carefully designed, in part, to control all these factors and to give objects the secure and stable home they deserve. But what happens when an object needs to travel outside the museum’s walls?

The permanent collections of the Fine Arts Museums of San Francisco number over 100,000 objects, and only a percentage are on view. However, many of these treasured artworks can be viewed in exhibitions at other institutions throughout the world at any given time. When art objects are loaned in this way, they often travel for long periods of time, which is why it’s so important for our conservators to carefully prepare objects for their extended journeys. Such was the case when the Cleveland Museum of Art requested to borrow an ancient turban from the Nasca culture of Peru, featured in the exhibition Wari: Lords of the Ancient Andes that opened last week.

Turban, 200–600. Peru, South Coast, Nasca. Cotton cord wrapped with a band of camelid fiber fringe. The Caroline and H. McCoy Jones Collection Gift of Caroline McCoy-Jones. 2000.17.5

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