For the past three years the education departments of the Asian Art Museum, the San Francisco Museum of Modern Art and the Fine Arts Museums of San Francisco have met to explore how collaborative programming can better support Bay Area teachers. Last week, building on this objective, the museums jointly hosted a four-day institute for high school teachers that focused on the theme of Discovering Connections.
Discover the women, the passion and the heartbreak behind Pablo Picasso’s work presented in Picasso: Masterpieces from the Musée National Picasso, Paris currently on view at the de Young. Behind every great artist, there is a muse. For Picasso, his romantic relationships provided inspiration for countless paintings, drawings and sculptures.
FRAME|WORK is a weekly blog series that highlights an artwork in the Museums' permanent collections. This week, we feature a fabulous ballgown designed by fashion icon Christian Dior. This garment is currently not on display, so we offer you this exclusive online viewing!
Friday Nights at the de Young feature special lectures related to current exhibitions at the de Young. This Friday, July 22 Kieran Ridge presents "Picasso and Modern Literature: Liquid Architecture of the Palace of Marvels," a discussion of Picasso as a writer and the influence of contemporary authors and literature in his art. This is the first of three lectures presented in partnership with Alliance Française in celebration of Picasso: Masterpieces from the Musée National Picasso, Paris.
Mr. Ridge is chair of the English Department at The Marin School, where he teaches literature and film studies. To pique your interest in this fascinating subject, we have asked Mr. Ridge to answer a few questions about Picasso, the writer!
“One must always draw, draw with the eyes, when one cannot draw with a pencil. “—Balthus
The Drawn to Drawing week of summer camp at the de Young was very exciting! Read on to learn about the master artists’ experience (8–9 year olds).
Drawn to Drawing introduced the young artists to new materials, new ways of defining what a drawing is and new ways of looking at the museum’s collection.
The artists were captivated by different materials and tools. Each artist had a sketchbook, which over time with new additions and explorations, told a story about their art making experience during the week.
Last week, we followed Six-Sided Planes into the photgraphy studio where it was shot for record identification. Today we learn about the history and significance of this painting from the curatorial perspective.
My name is Emma Acker, and I’m a curatorial assistant in the American Art department at the Fine Arts Museums. In May of this year, I presented Balcomb Greene’s Six-Sided Planes as a potential purchase to the Acquisitions Committee of our Board of Trustees.