FAMSF Blog

From Paris, With Love

Museums, like the artworks they house, are constantly evolving. Expanding collections and audiences, outdated facilities, natural phenomena (like earthquakes), or changing building codes can all contribute to a museum’s decision to shutter its doors for lengthy renovations. One museum’s closure, however, is another's golden opportunity, as in the case of this museum! The de Young has recently benefitted from two important museum renovations in Paris: first, the Musée d’Orsay sent us two major exhibitions during its expansive renovations (Van Gogh, Gauguin, Cézanne, and Beyond and Birth of Impressionism) and now the Musée National Picasso brings us Picasso: Masterpieces from the Musée National Picasso, Paris opening this Saturday, June 11.

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Will Work for Art: Chris Bennett

 "Will Work for Art" takes you behind the scenes to meet the people who make the Fine Arts Museums work. In this case, we go behind the counter to meet Chris Bennett, the de Young Café Manager. Originally from San Clemente, CA, Chris has been with the Museums for four years.

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Conserving Louise Nevelson’s "Ocean Gate"

As a follow up to our last post about the conservator’s role in dealing with artistic intent, the Objects Conservation Department has been working with outdoor sculpture contractors from Tracy Power Conservation to conserve the Louise Nevelson sculpture Ocean Gate. The sculpture is located at the south corner of the Osher Sculpture Garden at the de Young.


Louise Nevelson (American, 1900–1988)
Ocean Gate, 1982
Aluminum and black paint
145 11/16 x 81 7/8 x 68 1/8 in.
Museum purchase, gift of Barbro and Bernard A. Osher, 2002.72a-f

Nevelson conservation
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FRAME|WORK: A seven-headed bush spirit from Nigeria

FRAME|WORK is a weekly blog series that highlights an artwork in the Museums' permanent collections. This week, we feature a life-size sculpture depicting a Nigerian bush spirit, currently on view in the African gallery at the de Young.


Shrine figure or bush spirit with seven heads, 20th century
Nigeria, Cross River, Ijo people
Wood, glass eyes, paint
172.7 x 35.6 x 45.7 cm (68.5 x 14.5 x 18 in.)
Museum purchase, gift of Phyllis C. Wattis and the Phyllis C. Wattis Fund for Major Accessions
2004.93

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Balenciaga and Spain: Behind the Music

Visitors to Balenciaga and Spain (on view at the de Young through July 4) will immediately notice something different about this installation: music! Melodic notes of Spanish guitar waft through the galleries and draw the viewer further into the exhibition, culminating in the section of the show devoted entirely to the influence of dance. The drama of Spanish dance traditions inspired Balenciaga and can be seen throughout his designs; we hope that the music included in the exhibition does the same for you!

The section detailing the influence of dance in Balenciaga and Spain at the de Young.

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FRAME|WORK: Third Class Carriage by Honorè Daumier

FRAME|WORK is a weekly blog series that highlights an artwork in the Museums' permanent collections. This week, a painting by Honorè Daumier depicts an activity with which we are all too familiar: the commute. Third Class Carriage (Un Wagon de Troissieme Classe) is currently on display at the Legion of Honor in Gallery 17.


Honorè Daumier (French, 1808–1879)
Third Class Carriage (Un Wagon de Troisieme Classe), 1856–1858
Oil on panel
10 1/4 x 13 3/8 (26 x 33.9 cm)
Museum purchase, Whitney Warren, Jr. Bequest Fund in memory of Mrs. Adolph B. Spreckels, Bequest funds of Henry S. Williams in memory of H.K.S. Williams, Magnin Income Fund, Art Trust Fund, Alexander and Jean de Bretteville Fund, Art Acquisition Endowment Income Fund in honor of Mrs. John N. Rosekrans, 1996.51

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