FAMSF Blog

Lastest news from Corinne Okada Takara, December 2008 Artist-in-Residence

Corinne Okada Takara completed a residency in the Kimball Education Gallery two years ago.  Her project, Rhythms in Space, explored the assembly of recycled materials into airy three-dimensional tapestries and wearable art, while presenting a visual footprint of diverse cultures in the Asian diaspora.  She pulled various motifs from the museum collection, along with visual patterns observed in the museum's surroundings.  Visitors created tapestries from these images using wire, netting, and other recycled materials. 

Now, Corinne is preparing for two large projects in the spring in San Jose.  One if funded with a Target Arts Grant and the other is self-funded.  Please check out her new site for the project at http://kck.st/fhbHwt.

Man Observing: Installation of an 8.8′ tall sculpture

Viola Frey’s monumental sculpture, Man Observing Series II, is back from its travels!  This is a larger than life sized sculpture made of 13 heavy sections of glazed earthenware ceramics.  Teamwork by staff at the Fine Arts Museums of San Francisco returned the sculpture to its original home in the Saxe Gallery at the de Young.

The empty platform awaiting Man Observing Series II.

 

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Take a Really, Really Close Look

Arthur Szyk: The Scribe

The Scribe, 1927. Transparent and opaque watercolor. Collection of Irvin Ungar

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Without Visible Means of Support

Installation of Japanese Books in the Reva and David Logan Gallery of Illustrated Books

Go behind the scenes at the Legion of Honor as paper conservators prepare and install 37 rare Japanese books for the exhibition Aspects of Mount Fuji in Japanese Illustrated Books from the Arthur Tress Collection.

Hokusai, Untitled (Fuji Seen from Above the Waves), [detail] from the book
One Hundred Views of Fuji, 1835. Collection of Arthur Tress.
 

   

Utagawa Hiroshige, Fuji seen through cherry trees, in the book
One Hundred Views of Fuji (Fujimi Hyakuzu), 1859. Collection of Arthur Tress.
 

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Not Your Average Picture: Installation of a 17-foot Photograph

Shi Guorui photograph

The Chinese artist Shi Guorui produced this photograph of the Donner Pass by creating a pinhole camera obscura. The photographic method is just like the oatmeal container pinhole camera you might have made in grade school, but on a much larger scale. The artist put a single small hole in the side of an otherwise light-sealed semi-trailer truck.  The light rays passed through this small hole forming an inverted image on a long, curved sheet of sensitized photographic paper.  We were told that the artist meditated during the hours-long exposure time.

At 4 feet 2 inches x 17 feet 2 inches, Donner Pass is one of the largest photographs in the Museums’ collection. Due to its unique size, installation required much advanced planning to come up with a method of hanging that was not only safe for the photograph, but also met the visions of the artist and curators. As the artist preferred the immediacy of the uncovered photograph placed directly on the wall, a tailored system of hinging materials and frame installation methods was devised by the paper conservation laboratory to safely meet this vision.  

After much preparation, the day of installation had arrived.  

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In the Galleries: Robert, Calvin, Martha, and William Scott and Mila (ca. 1843–1845)

Robert, Calvin, Martha, and William Scott and Mila, ca. 1843–1845

Regulars to the permanent galleries at the de Young will notice a new addition to Gallery 23 on the upper gallery level—the anonymous painting titled Robert, Calvin, Martha, and William Scott and Mila, ca. 1843–1845. The painting depicts the children of Reverend William Anderson Scott (1813–1885), a Presbyterian minister in New Orleans from 1842 to 1854. The spire of the First Presbyterian Church where Dr. Scott was pastor is visible at the center of the city’s skyline.

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