After Six-Sided Planes received its makeover in the paintings conservation lab, it was transported to the Legion of Honor for review during the full Board meeting (there are several sub-committee Board meetings that take place throughout the year).
Dutch and Flemish Masterworks from the Rose-Marie and Eijk van Otterloo Collection opens this Saturday, July 9 at the Legion of Honor. In preparation, bone up on your 17th-century history with these fun facts about the Dutch Golden Age and paintings on view in our permanent collection!
ca. 1600 | Wigs and dress trains become fashionable. William Shakespeare writes Hamlet.
1609 | Johannes Kepler announces important laws of planetary motion.
1611 | King James Bible is published.
1612 | Peter Paul Rubens paints The Tribute Money.
FRAME|WORK is a weekly blog series that highlights an artwork in the Museums' permanent collections. This week, we feature the iconic Boatmen on the MIssouri by George Caleb Bingham, currently on view in Gallery 23 at the de Young.
"Will Work for Art" takes you behind the scenes to meet the people who make the Fine Arts Museums work. This week we take you into the graphic design department, where all of the visual material associated with the Museums (except the art, of course) is created. Originally from Columbus, Ohio, Brandon Ballog is a junior graphic designer who has been with the Museums for almost three years.
FRAME|WORK is a weekly blog series that highlights an artwork in the Museums' permanent collections. This week, we feature a spectacular obsidian ceremonial knife from Mesoamerica on display at the de Young.
Last week Balcomb Greene’s Six-Sided Planes made its first entry into the Museums and the acquisitions process via the registration department. This week, the painting heads upstairs to the paintings conservation lab for a little makeover.
My name is Elise Effmann and I’m an associate paintings conservator at the Fine Arts Museums. Conservators are entrusted with the care, treatment and technical study of artworks in the collection. When a painting comes to the Museums as a proposed acquisition, our department must examine it to provide the curators with information about how it was made, and to determine if there are any potential problems with the acquisition due to its condition.