"Will Work for Art" takes you behind the scenes to meet the people who make the Fine Arts Museums work. This week we take you into the tech shop, where preparator Paul Palacios installs the art that makes the galleries and exhibitions you see possible! Originally from Texas, Paul has been with the Museums for almost thirteen years, minus the two he spent working at the Asian Art Museum during the construction of the new de Young.
Last week you met the Museum Ambassadors, a highly motivated group of high school students trained to educate younger students about all things art. Today, we give you a sneak peek into the work that they do here at the Museums.
Weeks before we begin giving community tours, we memorize our scripts with our fellow ambassadors.
FRAME|WORK is a weekly blog series that highlights an artwork in the Museums' permanent collections. This week, we feature a sumptuous portrait of an 18th-century beauty painted by Elisabeth Louise Vigée Le Brun in the wake of the French Revolution. The lovely Hyacinthe is currently on view in Gallery 16 at the Legion of Honor!
When installing a painting or sculpture for exhibition, determining the correct orientation of the work is (perhaps obviously) paramount. When discussing modern art, a seemingly simple question like “Which side is up?” can become much more complicated; and occasionally when dealing with abstract art, this determination can be downright perplexing.
Two paintings recently reinstalled in Gallery 50 at the de Young have raised this question for years. Since they first arrived at the Museums, Georgia O’Keeffe’s Petunias and Arthur Dove’s Sea Gull Motive have puzzled viewers and art historians alike.
If you visit the de Young and Legion of Honor this summer, you may be surprised see troupes of young children following teenagers around the galleries. Don’t be alarmed by these lively tours– they are being led by the extremely capable Museum Ambassadors!
"Will Work for Art" takes you behind the scenes to meet the people who make the Fine Arts Museums work. This week we take you into the whimsical world of the Flower Committee, where we meet artist Ann Hedges. Originally from New York City, Ann has been volunteering with the Museums for fifteen years.