There are only two weeks left to experience the special exhibition Chuck Close and Crown Point Press: Prints and Processes on view at the de Young. The tight focus of this exhibition allows visitors to zero in on the processes behind Chuck Close’s photorealist technique as it appears in the print format. In this, the third and final installment of our blog series highlighting each of the nuanced portraits on display, we feature Leslie.
It was well known within the Columbia Broadcasting System (CBS) that chief executive William S. Paley would always set aside what he was working on to take a call from The Museum of Modern Art (MoMA). Paley’s relationship with MoMA began in 1937, just eight years after its founding, and included roles as trustee, president, and chairman. His eventual donation of his collection to the museum—an important selection of modernist art—strengthened the institution in vital ways, and is the subject of The William S. Paley Collection: A Taste for Modernism, which is on view through December 30 at the de Young. Paley's relationship with MoMA was built on great generosity, and continued until his death in 1990.
William S. Paley in the foyer of his home at 820 Fifth Avenue, in front of his Pablo Picasso painting, Boy Leading a Horse (early 1906). Museum Archives Personalities Slide Collection. Digital Image © The Museum of Modern Art/Licensed by SCALA/Art Resource, NY
Recently, our photo services and imaging department responded to a rather unusual request from San Francisco Opera set designer Naomie Kremer. Kremer, who was designing a video set for an operatic adaptation of Frances Hodgson Burnett’s classic The Secret Garden (premiering on March 1, 2013) asked if she could incorporate portraits from the Museums’ permanent collection into her design. As today’s guest blogger, Kremer takes us on an incredible journey into The Secret Garden, giving us a sneak peek into the fantastical world she created.
Image by Naomie Kremer
The Secret Garden is a well-loved children’s story familiar to many generations. I’ve discovered that for many people, it is an iconic story that strikes a deep chord and seems to stay in their subconscious long after its last reading.
For the past year, Artist Fellow Sarah Wilson and her artistic partner Catch Me Bird have been creating Off the Walls, a multimedia performance based on the de Young Museum’s iconic painting Aspiration (1936) by Aaron Douglas. On September 20, the world premiere of Off the Walls will take flight in the Koret Auditorium at the de Young. Today we highlight Z Space, one of the project’s collaborating partners, whose technical residencies offer artists and performers the time and resources to experiment with various staging elements and production designs integral to the creative process.
Photo by Adrian Arias
Catherine Herrera is a Bay Area artist and filmmaker of Ohlone descent who has collaborated with the de Young Museum on numerous projects over the past several years. This Friday Night at the de Young, September 7, Herrera’s video installation Bridge Walkers will be on view for one night only in the observation deck on the ninth floor of the museum’s Hamon Education Tower. In this, the third installment of Five Days of Friday, director of public programs Renee Baldocchi sits down with Herrera to learn more about the installation and the artist’s practice.
Still from Bridge Walkers