"Indispensable" is a monthly series that asks the de Young’s Artists in Residence to explain a tool that’s essential to their work.
Tonya Harding, eat your heart out.
A portrait of a scandal.
These might not appear to be the most pious folks—the fifth commandment concerning honoring your parents doesn’t appear to be high on these kids’ list. But read more about how Sir David Wilkie secretly sketched his fellow parishioners in church, and then used those drawings to populate his great painting, Pitlessie Fair from 1804.
The latest of our Scottish visitors, the excerpt below is from the exhibition catalog for Botticelli to Braque: Masterpieces from the National Galleries of Scotland, available for purchase in the Museum Store.
This year amid the installations and exhibitions—the everyday blur of activity at the Museums—we’re excited to host Slow Art Day at the de Young and the Legion of Honor on Saturday, April 11. This is an entire day to make time for connections—between you and an artwork, you and an artist, or just between you and the current moment. The structure of Slow Art Day is simple: visit a museum, choose a work of art and spend five to ten minutes with it.
A drawing room with lilac walls and highly polished black floors—and a pile of props like top hats, opera cloaks, and fans. Read more about how Cadell used his spectacular living space to inject a little glamour into his portrait of our next Scottish vistor, Berthia Hamilton Don-Wauchope, the artist's 50-something neighbor from Edinburgh. The except below is from the exhibition catalog for Botticelli to Braque: Masterpieces from the National Galleries of Scotland, available for purchase in the Museum Store.