Chuck Close

Layers of Leslie

There are only two weeks left to experience the special exhibition Chuck Close and Crown Point Press: Prints and Processes on view at the de Young. The tight focus of this exhibition allows visitors to zero in on the processes behind Chuck Close’s photorealist technique as it appears in the print format.

The Invisible Man: Self-Portrait by Chuck Close

In 1972, Chuck Close came to Oakland’s Crown Point Press with the express goal of mastering the art of printmaking. The special exhibition currently on view in the Anderson Gallery at the de Young Museum, Chuck Close and Crown Point Press: Prints and Processes , examines this groundbreaking period in the artist’s career. In an earlier post, we discussed the mezzotint print Keith in the context of its 40th anniversary. Today, we take a closer look at Chuck Close’s Self-Portrait, completed in 1977.

Self-Portrait

Chuck Close (American, b. 1940). Self-Portrait (Black on White), 1977. Hard-ground etching with aquatint. Anderson Graphic Arts Collection, gift of the Harry W. and Mary Margaret Anderson Charitable Foundation. 1996.74.65

Forty Years of Keith

The year 2012 represents a milestone for Chuck Close, the Crown Point Press, and the Fine Arts Museums of San Francisco’s works on paper department, the Achenbach Foundation for Graphic Arts. Chuck Close and Crown Point Press: Prints and Processes, the special exhibition currently on view in the Anderson Gallery, honors these lasting relationships.

Keith1

Trial proof for Keith, 1972. Mezzotint. Crown Point Press Archive, Museum purchase, Bequest of Whitney Warren, Jr. in memory of Mrs. Adolph B. Spreckels. 1991.28.98

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