Permanent collection

Slow Art Day at the de Young and Legion of Honor

On Saturday, April 12, the de Young, the Legion of Honor, and dozens of other museums and galleries around the world will participate in Slow Art Day. Like the National Day of Unplugging, which encourages people to power down their smartphones and socialize face-to-face, Slow Art Day’s mission is to enable new connections with art that otherwise might be lost in the everyday blur of activity.

Keeping It Green with Bouquets to Art Flower Designer Emily Dreblow

Emily Dreblow, founder of Soulflower Design Studio in San Francisco, is working on a floral creation for Bouquets to Art 2014—it’s her 5th year participating in the de Young’s art-inspired flower exhibition. Dreblow likes to approach her work with a focus on two values that are near and dear to San Francisco’s heart: community and sustainability.

A brunette woman in a teal top stands in front of a picture of succulent plants

A Conservation Triumph: 1994–2013

For the first time ever, three prized tapestries from the Fine Arts Museums of San Francisco’s permanent collection will be exhibited together in the Legion of Honor’s Gallery 1. The entire series, known as The Triumph of the Seven Virtues, consists of seven tapestries that depict allegorical representations of the theological virtues—Faith, Hope, and Charity—and the cardinal virtues—Temperance, Prudence, Justice, and Fortitude. While 10 museums in Europe, the United States, and Russia possess tapestries from this series, the Fine Arts Museums have The Triumph of Fortitude, The Triumph of Prudence, and the only extant example of The Triumph of Justice.

The monumental tapestry (and the only one of its kind) The Triumph of Justice

Triumph of Justice from The Triumph of the Seven Virtues Series, ca. 1535. Belgium, Brussels, Flemish. Wool, silk; tapestry weave. Gift of The William Randolph Hearst Foundation. 1957.125

On the Hunt for Rembrandt

The special exhibition Rembrandt’s Century, closing on June 2, is remarkable not only for its breadth but also for the fact that it is drawn primarily from the Achenbach Foundation for Graphic Arts (AFGA), the works on paper department at the Fine Arts Museums of San Francisco. As curator Jim Ganz relates, this exhibition’s compilation required an epic treasure hunt through the Museums’ permanent collections, an endeavor that proved neither easy nor efficient, but was ultimately incredibly fruitful.

Rembrandt's Self-Portrait Drawing at a Window, 1648

Rembrandt van Rijn (Dutch, 1606–1669). Self-Portrait Drawing at a Window, 1648. Etching, drypoint, and engraving. Bruno and Sadie Adriani Collection. 1959.40.19

FAMSF Portraits Featured in Set for San Francisco Opera

Recently, our photo services and imaging department responded to a rather unusual request from San Francisco Opera set designer Naomie Kremer. Kremer, who was designing a video set for an operatic adaptation of Frances Hodgson Burnett’s classic The Secret Garden (premiering on March 1, 2013) asked if she could incorporate portraits from the Museums’ permanent collection into her design. As today’s guest blogger, Kremer takes us on an incredible journey into The Secret Garden, giving us a sneak peek into the fantastical world she created.

Kremer Image

Image by Naomie Kremer

The Secret Garden is a well-loved children’s story familiar to many generations. I’ve discovered that for many people, it is an iconic story that strikes a deep chord and seems to stay in their subconscious long after its last reading.

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