FAMSF Blog

Off the Walls in Z Space

For the past year, Artist Fellow Sarah Wilson and her artistic partner Catch Me Bird have been creating Off the Walls, a multimedia performance based on the de Young Museum’s iconic painting Aspiration (1936) by Aaron Douglas. On September 20, the world premiere of Off the Walls will take flight in the Koret Auditorium at the de Young. Today we highlight Z Space, one of the project’s collaborating partners, whose technical residencies offer artists and performers the time and resources to experiment with various staging elements and production designs integral to the creative process.

Photo by Adrian Arias

Z Space B_W
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Bridging the Divide: A Conversation with Catherine Herrera

Catherine Herrera is a Bay Area artist and filmmaker of Ohlone descent who has collaborated with the de Young Museum on numerous projects over the past several years. This Friday Night at the de Young, September 7, Herrera’s video installation Bridge Walkers will be on view for one night only in the observation deck on the ninth floor of the museum’s Hamon Education Tower. In this, the third installment of Five Days of Friday, director of public programs Renee Baldocchi sits down with Herrera to learn more about the installation and the artist’s practice.

Still from Bridge Walkers

Upraised hands
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The Classical Revolution Will Not Be Televised

It’s day two of Five Days of Friday and we’re featuring Classical Revolution, whose tag line is “chamber music for the people!” Rise up and face the music at Friday Nights at the de Young on September 7.

Classical Revolution
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Five Days of Friday

You know that saying “It’s always five o’clock somewhere?” Well, this week it’s Friday everyday! We’re bringing you five days of Friday to showcase the amazing events taking place this (and every) Friday Night at the de Young through November 23.

Riders
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From Muse to Master

Throughout art history, the muse has played a central role in the artist’s process. The modern art muse has found its most frequent embodiment in women, from Victorine Muerent to Camille Claudel to Kiki de Montparnasse to Marie-Therese Walter (and the numerous other women portrayed by Picasso). Female muses have been both model and artistic catalyst to their typically more famous male collaborators, even though their own creative production is often considered of equal value. Lee Miller, one of the subjects of the special exhibition Man Ray | Lee Miller: Partners in Surrealism (on view at the Legion of Honor through October 14), has long been pigeonholed as Man Ray’s muse. But, as this exhibition reveals, Miller’s relationship with Man Ray was only the beginning of her journey from muse to master.

Man Ray (American, 1890–1976). Portrait of Lee Miller–Flying Head, c. 1930. Vintage gelatin silver print. Lee Miller Archives, England © 2012 Man Ray Trust / Artists Rights Society (ARS), NY / ADAGP, Paris

Floating
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The Invisible Man: Self-Portrait by Chuck Close

In 1972, Chuck Close came to Oakland’s Crown Point Press with the express goal of mastering the art of printmaking. The special exhibition currently on view in the Anderson Gallery at the de Young Museum, Chuck Close and Crown Point Press: Prints and Processes , examines this groundbreaking period in the artist’s career. In an earlier post, we discussed the mezzotint print Keith in the context of its 40th anniversary. Today, we take a closer look at Chuck Close’s Self-Portrait, completed in 1977.

Chuck Close (American, b. 1940). Self-Portrait (Black on White), 1977. Hard-ground etching with aquatint. Anderson Graphic Arts Collection, gift of the Harry W. and Mary Margaret Anderson Charitable Foundation. 1996.74.65

Self-Portrait
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