De Young Artist Fellows Andy Diaz Hope and Laurel Roth are artists-in-residence this month in the Artist Studio. They are working on completing the third monumental tapestry in their triptych entitled The Conflicts. Today, guest blogger Andy Diaz Hope discusses aspects of the Museums’ permanent collections that touch on the themes contained in this project.
Posted by Renee B. Baldocchi on June 22, 2012
The influence of a variety of non-western cultures can be seen throughout the collections featured in The Fashion World of Jean Paul Gaultier: From the Sidewalk to the Catwalk. Tonight at Friday Nights at the de Young, we honor the origins of these influences with an evening of Indigenous Couture curated by Native American artist, dancer, and designer Eddie Madril.
Posted by Sarah Bailey Hogarty on June 20, 2012
This weekend San Francisco (and the world) celebrates gay pride with rainbows, parades, love, and equality. What better way to ring in the revelry than with a visit to The Fashion World of Jean Paul Gaultier: From the Sidewalk to the Catwalk, which highlights the designer’s personal ethos of “equality, diversity and perversity?” Blurring the lines between male and female, Gaultier achieves a code of beauty that is at once masculine, feminine, and androgynous. The openly gay Gaultier has never been afraid to break social taboos, and in so doing has created his own open-minded and generous fashion world.
Posted by Sarah Bailey Hogarty on June 13, 2012
This is the last week to see The Cult of Beauty: The Victorian Avant-Garde 1860–1900, which closes on Sunday, June 17, at the Legion of Honor. San Francisco has been the perfect host city in which to display this groundbreaking exhibition due in no small part to the city’s rich Victorian past. At a recent panel discussion, "Extravagance and Industry," hosted by ArtPoint, participants revealed the many architectural remains of the Aesthetic Movement that remain visible throughout San Francisco today.
Posted by Julian Cox on June 11, 2012
Since its invention in the mid 19th century, photography has been at the forefront of progressive art making traditions—so its presence in The Cult of Beauty: The Victorian Avant-Garde, 1860–1900 is no surprise. By the 1890s, photography was a half-century old and its supporters vociferously claimed it to be an independent art form, advocating for the idea of "art photography." Today we celebrate the birthday of Julia Margaret Cameron, one of the greatest photographers from this period and whose work is currently on display in The Cult of Beauty at the Legion of Honor (closing this Sunday, June 17).Julia Margaret Cameron (English, 1815–1879). Portrait of a Woman (Louise Beatrice de Fonblanque), 1868. Albumen silver print from wet-collodion-on-glass negative mounted to a heavier sheet. Museum purchase, Mrs. Milton S. Latham Fund. 1992.138
Posted by Sarah Bailey Hogarty on June 7, 2012
The corset looms large in special exhibitions at both the de Young and the Legion of Honor. Jean Paul Gaultier, the subject of the de Young's The Fashion World of Jean Paul Gaultier: From the Sidewalk to the Catwalk , integrated this iconic garment into his prêt-à-porter collections as early as 1983. Meanwhile, over at the Legion of Honor in The Cult of Beauty: The Victorian Avant-Garde, 1860 –1900 (on view through June 17) the artists of the Aesthetic Movement rejected the corset in defiance of Victorian era fashions and social mores. Tonight, Friday Nights at the de Young explores the surprisingly dynamic world of Haute Corsets , with local corset makers Dark Garden and a screening of Truth or Dare , in which Madonna gets into the groove wearing Gaultier's unforgettable cone bra corset. Before you lace up, bone up on the fascinating history of this beguiling bodice! Left: Emil Larsson, Body corset worn by Madonna, Blond Ambition World Tour, 1990. Dazed & Confused, April 2008 © Emil Larsson; Right: Edward Burne-Jones (English, 1833–1898). Pomona, 1886–1920. Wool, silk, cotton; tapestry weave. Museum purchase, Dorothy Spreckels Munn Bequest Fund. 2001.120.2