FAMSF Blog

A History in Heels: Monique Jenkinson (aka Fauxnique) at the de Young

Monique Jenkinson (aka Fauxnique), a 2012 de Young Artist Fellow, is currently working in an open process format in the Kimball Education Gallery. The fundamental goals of the yearlong Artist Fellows program are to support work by artists both inside and outside of the museum, and to foster long-term relationships with those artists and their collaborating partners. In some cases, the foundation for this relationship has been long established through programs such as Friday Nights at the de Young. Case in point: Monique Jenkinson, dancer and performance artist.

Fauxnique_GG

Photo by Michelle Blioux

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FRAME|WORK: George Washington by Rembrandt Peale

FRAME|WORK is a weekly blog series that highlights an artwork in the Museums' permanent collections. On Monday, the Museums were closed in observance of Presidents Day and today is the birthday of American painter Rembrandt Peale (1778–1860). In honor of these two occasions, we feature Peale’s iconic portrait of George Washington, which is currently on display in Gallery 27 at the de Young.

George Washington

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Oscar Wilde's Wild West

Tomorrow The Cult of Beauty: The Victorian Avant-Garde, 1860–1900 (February 18–June 17) opens at the Legion of Honor! Exactly 130 years ago, the tenets of the Aesthetic Movement were introduced to San Francisco by none other than Oscar Wilde.

Oscar Wilde Reclining

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What's Going On? Artist Fellow Kevin Epps Gets Down with Marvin Gaye

What’s Going On: The Life and Death of Marvin Gaye, the second installment in Kevin Epps's curated Filmmakers Lounge series, examines the life and legacy of this astounding musical artist. Serving once again as a guest blogger, Epps talks about his life-long connection to the music of Marvin Gaye.

What's Going On poster

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FRAME|WORK: Love and the Maiden by John Roddam Spencer Stanhope

This week’s FRAME|WORK, featuring John Roddam Spencer Stanhope’s luscious Love and the Maiden, will serve as the first in a series of posts examining a variety of themes present throughout the special exhibition The Cult of Beauty: The Victorian Avant-Garde, 1860–1900 (opening this Saturday, February 18). Stanhope’s allegorical painting will provide the backdrop for the discussion of topics ranging from artistic technique to the Aesthetic Movement’s color palette to the role of frames in the perception of an artwork.

Love and the Maiden

John Roddam Spencer Stanhope (English, 1829–1908). Love and the Maiden, 1877. Tempera, gold paint and gold leaf on canvas. Museum purchase, European Art Trust Fund, Grover A. Magnin Bequest Fund and Dorothy Spreckels Munn Bequest Fund. 2002.176

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A Band Apart: Ralph Eugene Meatyard and Francesca Woodman

Currently on view at the de Young and SFMOMA are two significant photography exhibitions—Ralph Eugene Meatyard: Dolls and Masks and Francesca Woodman, respectively. In this rare, behind-the-scenes look at the curatorial process, Julian Cox (of the de Young) and Corey Keller (of SFMOMA) discuss the elusive issues of artistic intention and practice, the mythology of the artist, and the position of Meatyard and Woodman in the history of photography.

Meatyard Woodman

Left: Ralph Eugene Meatyard (American, 1925–1972). Untitled, ca. 1960–1962. Gelatin silver print. Museum purchase, John Pritzker Fund. 2011.4.1. Right: Francesca Woodman (American, 1958–1981). My House, Providence, Rhode Island, 1976. Gelatin silver print. Courtesy George and Betty Woodman. x2011.467.032

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