Today’s guest blogger is 2012 de Young Artist Fellow Monique Jenkinson (aka Fauxnique). During her yearlong fellowship, she is focusing on the Museums’ costume and textiles collection, particularly the work of Jean Paul Gaultier as represented in the special exhibition The Fashion World of Jean Paul Gaultier: From the Sidewalk to the Catwalk (on view at the de Young through August 19). This Friday Night at the de Young, April 27, Jenkinson presents Making Scenes, a curated evening that includes a new dance/installation piece entitled Our People, inspired by the work of Gaultier—his icons, his fetishes and his light-hearted, humanistic irreverence. Here she shares with us the creative process behind the making of Our People.
Monique in costume for Our People. Photo courtesy of Arturo Cosenza
Two weeks ago we introduced you to Geoffrey De Sousa’s concept for the Pavonia Room. Inspired by the special exhibition The Cult of Beauty: The Victorian Avant-Garde 1860–1900 (on view at the Legion of Honor through June 17), De Sousa’s gentleman’s study will be installed at the San Francisco Decorator Showcase opening this Saturday, April 28. Today, De Sousa serves as a guest-blogger to unveil the completed space.
Geoffrey De Sousa, the gentleman in his study
Yesterday was the birthday of renowned Abstract Expressionist painter Willem de Kooning. Today’s FRAME|WORK—a weekly blog series highlighting an artwork in the permanent collection—features de Kooning’s 1977 painting, Untitled XX, which is currently on view in Gallery 15 at the de Young Museum.
Willem de Kooning (American, 1904–1997). Untitled XX, 1977. Oil on canvas. Museum purchase, gift of Nan Tucker McEvoy. 2002.1
See tomorrow's art start tonight at the 2012 New Generations: Student Showcase. This year's theme is a call to action–think of it as a one-word manifesto: Matter!
In this installment of our continuing blog series examining key elements of the Aesthetic Movement through the lens of John Stanhope’s masterwork Love and the Maiden (typically on view in gallery 18 at the Legion of Honor and currently on view in The Cult of Beauty: The Victorian Avant-Garde, 1860–1900), curatorial assistant of European art Melissa Buron takes a closer look at color.
John Roddam Spencer Stanhope (English, 1829–1908). Love and the Maiden, 1877. Tempera, gold paint and gold leaf on canvas. Museum purchase, European Art Trust Fund, Grover A. Magnin Bequest Fund and Dorothy Spreckels Munn Bequest Fund. 2002.176