"Will Work for Art" takes you behind the scenes to meet the people who make the Fine Arts Museums work. This week we take you into the intriguing world of frame conservation to meet Natasa Morovic (imagine an “h” after the “s” in her first name, and after the “c” in her last name, and you get the right pronunciation). Natasa is the associate frames conservator working in Paintings Conservation. Originally from Slovenia, she has worked with the Museums for fourteen years!
As we simultaneously prepare for Halloween and the opening weekend of Masters of Venice: Renaissance Painters of Passion and Power from the Kunsthisorisches Museum, Vienna (which opens tomorrow, October 29), what better topic to kick off the festivities than a post about the sumptuous tradition of masquerade?
One of the many goals of the Artist-in-Residence program at the de Young Museum is to explore connections between the artists and the surrounding park environment. These connections enrich our museum visitors' experience through the guest artists' explorations and interpretations. Visiting artists from around the globe offer a unique experience to learn about natural materials found right here in Golden Gate Park.
Māori artist Glenda Hape uses flax to weave and create contemporary art. There are more than 7,500 exotic plant species surrounding the de Young in Golden Gate Park, including several types of ornamental flax. The species of flax Glenda needed to continue her weaving projects in the Kimball Gallery is called Phormium tenax, also known as New Zealand flax (or harakeke in the Māori language). Last week, Glenda explained how difficult it is to harvest the materials she uses in her artistic practice, but with the assistance of Andy Stone, gardner and park supervisor for the San Francisco Recreation and Parks, Glenda's harvesting trip around Stowe Lake was bountiful and she found just the right flax (harakeke).
FRAME|WORK is a weekly blog series that highlights an artwork in the Museums' permanent collections. This week, in a joint celebration of Halloween and the imminent opening of Masters of Venice: Renaissance Painters of Passion and Power, we feature an extraordinary mask fan from the department of Textile Arts.
Mask fan, England, 1740–1750. Opaque watercolor on vellum; ivory sticks. Gift of Susanne King Morrison in memory of Elizabeth Brant King. 1980.66
The annual San Francisco Fall Antiques Show (SFFAS) has longstanding ties with the Fine Arts Museums, sharing benefactors, lenders, board members, and volunteers, including special project curator of European Decorative Arts and Sculpture, Maria Santangelo. For the past several years, Santangelo has donated her curatorial capabilities to the exhibition that serves as the centerpiece of the fair.