Generally the de Young’s artist studio is the home of one artist and their process. Museum patrons can engage in a specific artist’s technique and area of expertise. For the month of September, four artists of the Kearny Street Workshop (www.kearnystreet.org <http://www.kearnystreet.org> ) transform the Kimball Education Gallery. Throughout the month, one to four artists will be involving the public in their different processes.
On August 19th, I sat down with current Artist-in-Residence, Alexandra Blum, to learn more about her artistic background and the connection between teaching and creating art. Ms. Blum strives to humanize the private expereince by bringing in different techniques that transform museum going into a shared technique.
(Naomi Huth currently works as an intern for the Public Programs Department at the de Young.)
Friday Nights: Cultural Encounters at the de Young is excited to be the host of the closing of ME’DI.ATE’s Soundwave Festival, featuring The Drift. We will celebrate all that is at the intersection of space and sound this Friday. And what better place to experience experimental sound than in the angular public lobby of the de Young Museum under the shadow of Gerhard Richter’s Strontium?
On July 15th, I sat down with current Artist-in-Residence, Jeanine Briggs, to learn more about her artistic background, the journey and inspiration behind her found object artwork, and the ideas that created the participatory project of an early 21st-century Detritussaurus. Appearing in galleries, museums, public spaces, trade shows, corporate collections, and government offices, her work has been exhibited extensively in California and in New York City.
Visitors to the exhibition Birth of Impressionism: Masterpieces from the Musée d'Orsay can get a look at one of the Fine Arts Museum's newest acquisitions, The Absinthe Drinkers (Les buveurs d'absinthe), 1881, by Jean-François Raffaëlli (French, 1850–1924). The Absinthe Drinkers is widely regarded as among Raffaëlli's most important and accomplished paintings. It can be viewed at the entrance to Birth of Impressionism this summer, but will eventually take up permanent residence in the Legion of Honor's gallery 19.
Although not counted among the Impressionists, the Realist Raffaëlli nonetheless exhibited The Absinthe Drinkers (at the invitation of Degas, who sought to increase the number of figural painters involved) at the sixth Impressionist group show in 1881.There it caused a sensation due to its gritty imagery and portrayal of the devastating effects of addiction to the potent drink absinthe.